You Are Visitor Number

  In support of our troops…

IN WONDERFUL ALBANY, NY, USA

UPDATED:  Tues, Jan 6th, 2009

JUST IN Section below - see links at bottom of page for 1000's more gear.  

HAPPY NEW YEAR  TO ALL!   I hope everyone had a joyous Christmas/Hanukkah/Kwanzaa season and I wish you all the best in this brand new year.  From Martin and myself, thanks to everyone who made 2008 such an overwhelming success.  We've made a lot of new friends and sold tons of guitars.  With such success comes a down side and it's indeed harder than ever to keep up with all the inquiries I receive every day.  To everyone who is patient and persistent, when necessary, a special thanks.  To our regular customers, you are the best and your support and kind words are really what keeps us going.  Here's to health and prosperity in 2009 and, again, thank you - thank you - thank you.  Regards, Chris    

NAVIGATING THIS SITE:  If you're not familiar with my site, it's simple, although not fancy:   (1) This page has gear that has recently arrived; (2) Links at the bottom of this page take you to most of our gear, logically arranged by manufacturer or type, e.g. Fender, Gibson Effects, Parts, Amps, PRS, etc.  (3) Lastly, my "Semi-Just In" Page (click here), contains a lot of gear that hasn't made it back to the proper pages yet and is sort of in limbo until I move it.  It's not a fancy site but it remains unchanged since '98 and I firmly believe, "if it ain't broke - don't fix it."  All guitars and other gear have pictures.  Just click on any underlined text and it should open a picture; click the picture and it may expand the pic, depending on the resolution.  

NOTE 1:  I'm quickly moving the 6-week backlog of gear back to the proper pages.  If you saw a Fender or Gibson here or on the Semi-Just-In page, it's now on the Fender or Gibson page.  The rest of the gear will be moved within the next day or so.  Much of this page has been temporarily moved to the  "Semi - Just-In" Page (click here), and will eventually be moved to the regular pages (Fender, Effects, Pro-Sound, etc.), with links at the bottom of this page.

*****************************************************

Digitech GNX4 Guitar Workstation, (stock pic),  (recorder/drum machine controls), (effect/amp controls).  Note that this isn't your usual guitar processor, it's an actual "workstation", complete with built-in 8-track digital recorder and full feature drum machine.  This is a killer unit for guys who like to lay down tracks and jam along with themselves, or players in a single-guitar band who want to fill out the sound with "The Edge" type sound-on-sound tricks.  A few of the features include: 15 guitar amp and 10 bass amp models, Distortion stompbox modeling, Hypermodel creation-unlimited tones where you can "build" your own amp model, 6 channels of audio streaming via USB (record 4, playback 2), MP3 Playback, High quality mic preamp with 48V phantom power, Stereo line inputs, Compact Flash memory storage, XLR and 1/4 in. stereo outputs with Speaker Compensation, and 80 User/80 Factory Presets. For complete specs, click here for Digitech's site.  There are a bunch of YouTube tutorials and demo's (link) on this model and click here for one on the Looper function, or here for another which includes the pseudo bass toward the end.   Barely used and, in fact, the software is still factory sealed and includes: Pro Tracks Plus, Lexicon® Pantheon Reverb Plug-in, Cakewalk Pyro Express for CD burning, BIAS® Deck 3.5 SE Mac Recording, and X-Edit Editor-Librarian.  Sells new for $399 but this one's barely touched, includes all software, manual, cable, and even an XLR cable - for just $285.  

Boss RT-20 Rotary Sound Processor, (back).  Best rotary speaker I've ever had - as good as Hughes and Kettner's Rotosphere, but more versatile.   Sounds equally good on guitar or keyboards where, like a Leslie, you can go from a slow rotary to fast at the touch of a button.  Has the coolest multi-color visual display you'll ever see on a stomp box and once you get used to it, actually helps in dialing in your settings.  For full specs click here for Boss' site.  For YouTube demo's click here for keyboard - or click here for a great guitar demo by the Boss demo guy.  Operates on 6 AA batteries or optional power supply.   $199 new but this clean used one's just $135.   Includes copy of manual.  

Blues Pearl Texas Tornado, (panel), (top), (back), (label), (chassis).  Hand-built in Ft. Wayne IN, ca. 1998, Serial 130, finished in snakeskin covering for a perfect nice blend of vintage and modern.  Overall condition is very clean, other than the snag in the grill cloth.  Blues Pearl was one of the best boutique builders of the 90's, and in the vintage tradition, featured hand-wired point-to-point circuit with top quality components all around.  No "pre-wired components" or circuit boards here and, likewise, they used quality finger jointed pine cabinets and one of the best selling points, a three-knob reverb.  The Texas Tornado was apparently made in two versions with most equipped with dual 6V6 power, but I've seen another review on one equipped, like this one, with dual 6L6's, which gives it around twice the power at around 40 watts.  With a small company like BP, it's quite possible that he used his Diablo (Super Reverb) circuit and simply used a Texas Tornado panel and box.  It features a single channel design with two uniquely voiced inputs, dual 6L6 (Audio Glassic) power, GZ34 rectifier tube, and four 12AX7/12AT7 preamp tubes.  The 3-knob reverb (dwell, depth, tone) is one of the major selling points and it's like getting a free reverb unit with the amp, offering much more control than a single-knob which tends to sound like a bucket brigade in comparison.  Looking around the web you might see some negative comments about Robert Hudson and Blues Pearl's business practices as he eventually ran into financial difficulty and eventually stopped building amps.  The quality of his amps, especially his earlier models like this one, is universally acclaimed.  For reviews on some of the earlier Texas Tornado's, click here for Harmony-Central, where it receives almost straight "10" scores.   Despite the later part of his career, Robert's amps remain highly regarded and their quality is on par with almost any boutique amp built today.  If you're a fan of vintage Fender tone, and especially a vintage Fender reverb unit, you'll likely love this amp, snakeskin and all.  For a hand-wired with quality components, very nice value at $1299.  

Ibanez TS9 Tubescreamer Reissue, Since the 80's this has been the choice of players looking for that warm tone of an overdriven tube amp.  Beautiful shape.  $65.  

MXR Phase 90 Phaser, Jim Dunlop reissue of the 80's block logo model.  Beautifully simple with just a single knob to control the sweep rate.  Great for guitars, basses, keyboards, and vocals.  Lists for $150 but this one doesn't have a scratch and ships in original box; $49.  

MXR Smart Gate AND MXR Super Comp.  The Smart Gate gives you 3 selectable types of noise reduction: Hiss, Mid, and Full.  Eliminates hum and hiss and only lets you music pass through.  Intelligent design provides dual high and low adaptive filters, opens at amazing speed, introduces no extra distortion, and lets you control the sensitivity of the gate's threshold.  Features hardwire bypass.  The Super Comp is an improved version of the famed Dyna Comp with much better specs and more control.  Like all MXR pedals they're built for decades of abuse and don't take up much room on your pedalboard, where real estate is at a premium.  These pedals sell new for $79 (Super Comp) and $119 (Smart Gate) but both of these are in super clean shape and you can get the pair for just $10 more than a new Smart Gate.  $129 takes them both.  

******************************************************

Beltona Southerner Resonator,  (front/back), (headstock) - with one extremely useful upgrade:  a National/Lace pickup with volume control mounted on tailpiece (see arrow) and output jack fitted on the back edge.  Extremely nice and innovative resonator guitar from Beltona, built in New Zealand.  This guitar features a silver-gray 14-fret reso-glass body (also comes in a 12-fret model), round mahogany neck w/dot inlaid rosewood fingerboard, aluminum cone w/ biscuit bridge, silver-gray screened-diamond-hole coverplate, nickel tuners & tailpiece and a huge, vibrant sound that falls somewhere between a metal body and a wood body.   Click here for Beltona's site and a sound sample from the 14-fret model.  The pickup is a humbucker design, designed by National Reso-Phonic and Lace Music, and while the string amplification is very fat sounding, it's also engineered to be microphonic enough to amplify the vibrations of the body, retaining the nuances of a resonator guitar, rather than just an amplified archtop or flattop.   This model sold for $1750, but with the pickup at $200 plus labor, it's well over a $2000 value.  Offered in beautiful condition, with a very comfortable set-up, and with this Lace pickup, perfect for stage or studio.  $1399 or less if you don't need the pickup.  I've had my share of National steel bodies and although this one's about 1/2 the weight, it sounds as fine as any of them.  

1989 Fender Korea Squier Precision Bass, (front/back), (headstock).  Same quality as the MIK Strat above but a few years earlier when the Squier logo was more pronounced - and a perfect mate if anyone is looking for a guitar/bass set.  Excellent player with the fat bottom Precision tone that works great on recordings or live settings - plus a nice weight that will be comfortable set after set.  Tuners are quality vintage style licensed Schallers that stay in tune perfectly.  Compared to the current model Indonesian or Chinese Squiers, these Korean models are better quality in my opinion and are generally more highly regarded perhaps because Fender's production was simply much lower 19 years ago.  Very nice shape and a good value P-bass at just $199. 

BOSS PEDAL BONANZA!!!

Boss BD-2 Blues Driver, creamy, slightly crunchy tone, warm overdrive and emotive distortion as playing through a vintage tube amp, near mint, $55

Boss CE-2 Chorus, early version Taiwan, green bottom, I can't really tell the difference between this and a black label MIJ and it's much cheaper at $69(Hold - Brian B).  

Boss DS-1 Distortion, Boss’ longest-running distortion, black label Japan model, $75

Boss GE-7 Guitar EQ,  clean shape with box and manual, $65

Boss HM-2 Heavy Metal, Boss’ first and most popular Metal dist of all time, turn up “L” up and the “H” down and you have one of the best scouped-mid tones ever.  A cheap way to add metal to your pedal board, MIJ, $39(Tent. Hold - Grant R CA)

Boss NS-2 Noise Suppressor and Loop, very useful for getting rid of noise in your chain PLUS has a built in effects loop, $159 list on new, this one's just $59.

Boss OD-1 Overdrive, the famed original Boss Overdrive, and the very first of Boss' "compact" effects series.  The OD-1 made its debut in 1977 and is highly regarded for its warmth and tube-like overdrive.  These are usually beat to heck but this one’s pretty nice as they go, $125.

Boss PN-2 Tremolo/Pan, fairly rare pedal and very highly regarded by players and collectors alike.  The PN-2 achieves the tremolo effect by varying the volume of the original sound cyclically to create a pulsating speaker effect.  Controls are Rate and Depth controls in addition to a 4-way Mode switch giving you the options of Pan-sawtooth, Pan-square, Tremolo-sawtooth or Tremolo-square wave.  It has an on/off LED as well as another LED that pulsates in time with the speed of the effect, useful for syncing to a beat, especially on stage where lighting may be low.  Click here for a YouTube demo of the PN-2.  A few minor flaws but overall nice shape for a used pedal.  $135(Tentative - John K).  

Boss SD-1 Super Overdrive, smooth, fat, round distortion, much like an overdriven tube amp.  Beautiful shape with box and paperwork, $39.  

Boss TW-1 Touch Wah, long ago discontinued and an alternative to pumping a wah-wah pedal, but it's more than that.  It's actually as much an envelope filter so it responds to the dynamics of your playing.  Very warm sounding and guaranteed to fatten up a track.   Has controls for sensitivity and peak frequency, as well as a switch to control forward or reverse wah effect.  Click here for an audio demo on YouTube.  Nice shape for its age and works perfectly, $75(Tent Hold - John D CA, Elmer H). 

Boss XT-2 Xtortion, perhaps the best pedal ever for grunge tones—plus doubles well for metal, Punch control for mid-range is pretty dramatic, discontinued in ’98 after a 2-year run.  Like a lot of Boss, became quite popular after they quit making it.  This one's in beautiful shape with box and manual.  $75. 

*********************************************

2004 Gibson Les Paul Melody Maker, (front/back), (headstock), (gigbag).  Very cool axe stripped down to the basics with just a single P90, volume-tone controls, dot inlays, and screened logo.  Looking at this guitar begs the question, why did they name it the LPMM when it's basically a Les Paul Junior, or at least a derivative.  Has the same fat warm tone of an old Junior with the P90 mounted to a mahogany body, while the deep cutaway allows easy access to the 22nd fret.  This model features the satin finish that's very conducive to sustain.  Other features include a stopbar/tuneomatic bridge combination, P90 single coil with dog-ear cover, 1960 slim taper neck, 17 degree headstock angle, slightly wide 1 11/16" nut width, pearloid dot inlays, top-hat knobs, Gibson Deluxe tuners, and USA manufacture.   This guitar plays great, sounds great, and an excellent buy on a straight-ahead American Gibson at just $385(Tent. Hold, answering in order received).  Includes Gibson deluxe gigbag.  

2005 Parker PM10 Hornet, (front/back), (headstock).  The PM10 delivers the first new shape in the Parker line-up since the Parker Fly was first introduced in the mid-90's and is basically the same silhouette as the USA Fly Mojo Single Cut (shown here).   PM10 is a single cutaway design with a solid one-piece mahogany body and mahogany set neck, outfitted with a pair of custom wound Parker Stinger Alnico humbuckers, controlled by a 3-way selector plus push/pull pots on both the volume and tone knobs.  Other features include 25.5" scale, 1.65" nut width, Ebony fretboard with nickel/silver frets, 10-13" compound radius neck, "fat" neck profile that's similar to PRS wide-fat, and Grover tuners with 18:1 ratio.  This is a lightweight guitar at just 7 lbs. and is ergonomically and well-engineered guitar, perfect for playing multiple sets with minimal fatigue.  The set-up is fantastic and it's one of the nicer guitars you'll find in the under $1K list price range.  With a list of $799, this model sells new for $559 and is one of the better made imports at that price.  This beautiful used one is just $375 and includes a quality gigbag.  

2008 Epiphone Les Paul Standard Plus, (front/back), (upgraded tuners), (headstock).  One of the best looking "Plus" models I've had.  Not just the flamed maple top, which is perfectly figured, left to right and bottom to top - the solid Mahogany back has some of the nicest looking grain I've seen on one of these with stripes in sort of a chevron pattern.  A few mods on this guitar:  the pickup covers were removed, both for tonal preference and looks and truss rod cover was changed to a blank one, which combine to give it the look of a 1960 era Les Paul.  More noteworthy, a set of Gibson Deluxe tuners were installed in place of the original Epi tuners.  Specs of this model include: Solid mahogany body, Flamed maple veneer over carved top, Set mahogany slim-taper neck, 22-fret rosewood fingerboard, 24-3/4" scale, Alnico Classic humbuckers, Locktone Tune-O-Matic bridge and stopbar tailpiece, body and fretboard binding, and Chrome hardware.  These are excellent guitars for the money, considering the Gibson equivalent will run around 4X the price and with the upgraded tuners, it's better than new.  This guitar has seen practically zero playing time and is as clean as most new floor models.  With a new Plus model at $649 ($1082 list), why not get this beauty with $100 tuner upgrade for just $499.  

1997 Epiphone Les Paul Standard Goldtop, (front/back), (upgrades), (headstock).  Here's one for you Ted - already fully upgraded so no labor charge.  This one has had the deluxe treatment, which we do to many of our Epi's.  They're an excellent value with stock pickups and hardware, but if you invest in a $200 upgrade, you'll end up with a guitar that plays and sounds as good as a Gibson, for around 1/3 the price.  Upgrades on this one include a set of gold Gibson Deluxe tuners (German Schaller's), Switchcraft switch, CTS 500k pots and USA caps, vintage knob marker rings, Dunlop straplock pins, cloth wiring, and most importantly, a killer set of Duncans with a '59 in the neck and a Seth Lover in the bridge.  Has light playing wear but overall in very nice shape with excellent frets and a wonderful set-up.  These late '90's Epi's are excellent guitars and I would personally pick one of these over a more recent model.  The pickups and tuners alone will run you $250 in parts alone, but all the upgrades, done by a competent tech, will put the upgrades at around $400.  This guitar is definitely good enough for the pro player and at $550(HOLD-Ted 12/31), that's a small price to pay.  

Hiscox Les Paul Case, Excellent protection, made in England and used by the top guitar makers in the UK, much like G&G and USA makers.  $99 or $75(HOLD-Ted 12/31) with any Les Paul in stock.  

2001 Epiphone Wildkat, (front/back), (side), (close-up), (headstock).   Very cool newer model with a definite retro vibe with features like Bigsby-licensed tremolo tailpiece, dual Alnico V P90 pickups, and vintage style aluminum headstock logo.  To top it off, beautiful flamed maple on this one - didn't show up in the pics very well but it's very nice all over - from the lower bout all the way up into the upper horns.  Other features include bound body, bound neck, bound f-holes, mahogany body with maple top and set-in maple neck, semi-hollow body with center block, dual volume and master tone plus a master volume on the treble upper bout.  Thinline body design is very comfortable for stage use and this guitar is one of the cooler retro designs to come out in years.  Excellent setup, excellent condition, and quality tone with these P90's.  Overall in extremely clean for a used guitar with no issues and, I feel, a good enough guitar for stage use.  New list on this model is $832 and this one's in clean shape, with a fantastic setup, for just $375.

2005 Rickenbacker 350V63 Liverpool, (front/back), (headstock).  Please forgive the pics; shot at night with a flash but this guitar is barely played and extremely clean.  This one is of special interest to Beatles fans:  a black 350 and John Lennon are one of the most iconic associations in the history of Rock and Roll, right up there with Jimi and (various colored) Strats, Chuck Barry and his Cherry Red ES-355, and of course Paul McCartney and his Hofner 500/1 "Beatle Bass".  I'm surprised that this model isn't referred to as the "Beatles Rick".  Before I get too far let me point out that this model takes one major departure from the original - it is a FULL SCALE.  Rick recognized that 90% of players simply can't get around on the short scale and they took this one liberty on the most recent iteration of the 350V63.  Other than that, historically accurate and like all of Rick's Vintage Series, a very well made guitar that plays exceptionally well.  It has all the other vintage appointments you know and love including a trio of Vintage Single Coil Toaster Top pickups, all-maple including semi-hollow body and neck, solid black knobs, replica tuners, 6-way bridge, and plain trapeze tailpiece.  This one also has one of the most attractive pieces of Rosewood you'll find on a Rick (pic here).  Rick prices continue to soar as most are being bought as soon as they leave the factory and are sold by the time they arrive at the dealership.  You can always order one from Rick if you don't mind an 18+ month wait.  Then again, you can buy this one right now for just $1750.  Includes Rick vintage case and all the stuff that comes with a new Rick.  

2006 Ibanez Artcore AFS75TD-SV Hollowbody, (front/back), (headstock), (detail-finish&binding).  Never retailed and immaculate with plastic still on pickguard and pickups.  Ibanez has a long history of building quality archtops and the newer Artcore series continue that tradition with prices that are unprecedented in name brand archtops.  The AFS75D features all-maple body with mahogany neck in a set-neck design, ACH-1 and ACH-2 humbucker pickups, nickel and chrome hardware, rosewood fretboard with large frets and excellent quality pearloid inlays, multi-ply bound body, bound neck, bound headstock, bound f-holes, pearloid headstock logo, nickel plated VBF70 Bigsby-style vintage vibrato, ART2 roller bridge.  The fit and finish on this guitar are truly remarkable, on par with guitars at 3X the cost.  From the perfectly applied silver flake finish, to the binding, to the immaculately inlaid pearl block fretboard inlays, this guitar shows remarkable quality for the money.  The IBZ ACH pickups were designed specifically for their archtop models and are very good at reducing feedback and allowing higher gain than many stock pickups.  With a $533 list, these sell online for $399 but this one's immaculate and unplayed, with a setup that's inevitably better than factory, for just $339.  Add plush-lined Canadian TKL Ibanez case for $65.  

2005 Ibanez Artcore AFS75TD-TQ Hollowbody, (front/back), (headstock).  Same as above except used but pretty much immaculate condition, finished in vintage Seafoam Green or as Ibanez calls it "Turquoise".  All other specs are the same as the NOS Silver model above; superb set up, ready to gig.  This one's $315.  Add plush-lined Canadian TKL Ibanez case for $65.  

1977 Takamine F-350 Dreadnought, (front/back), (headstock), (sides), (case).  Hard to believe this beauty is over 30 years old but serial dating and date stamp in the soundhole indicates production of Jun 3, '77.  Some beautifully bookmatched flame maple on this guitar, plus flamed sides all around.  This one was made in Japan which I think all Tak's were during this era and is a very well crafted guitar that should be around for many more years to come.  Like most 70's Japan guitars Tak's were copies of USA models and the headstock logo and center seam logo are clearly a copy of the C.F. Martin logo.  With the Martin-shaped headstock, from 10 feet away it looks very much like a Martin.  Set up is very nice, very snappy and clear tone with good projection, and for a quality Japan Takamine, a good value at $375.  Includes original un-logo'd case.  

American DJ T4 Chase Controller.  I've had a few of these, new in the box, for a few years but kept forgetting to list them.  The current model T4 is labeled, "Elation by American DJ" which may be a lower line for Am DJ.  These are excellent units for players or DJ's looking for simplicity as you don't have to mess with a separate controller and dimmer pack.  Just plug 4 cans into this unit, plug it in, and you're ready to go.  Chase mode or audio mode selector - Lights are controlled by either a set chase speed, or can follow the tempo of the music via a built-in mic.  Mounting bracket mounts the unit right to your lighting stand.  Maximum output is 500 watts per channel which means it can handle up to four Par 64's.  These sell everywhere for $65 ($80 list) but I have a two of these new in the box just $90 for the pair.  

2004 Fender American Deluxe Stratocaster V-Neck - Ash Body, (front/back), (headstock), (case, etc.)  Fantastic higher end American Series in discontinued 2-tone sunburst over ash body, which was a $150 list upcharge.  This one is absolutely flawless, other than plastic removed from pickguard and plays wonderfully.  All the Deluxe features including Samarium Cobalt Noiseless pickups with S-1 switching, Sperzel locking tuners, 1-pc maple neck with Abalone dot inlays, contoured neck heel, raised chrome logo, polished chrome bridge/saddles with "pop-in" tremolo arm, and aged plastic parts.  One feature of note is the V-Neck American Deluxe was the only model that came with the beveled single-ply mint pickguard.  Many players are falling big time for the new SCN/S-1 combination which yields all the traditional Strat tones you know and love, although in a hum-free output, plus a choice of other meatier tones not normally associated with a Fender.  Click here for a full rundown of all 10 pickup settings with the SSS pickup configuration.  A new American Deluxe is going to run $1224 at the chain stores, but I don't know if you can still get them in two-tone ash -  but this one is in mint condition, with a set up that's guaranteed to thrill, for $979(HOLD-John 12/30).  

1999 Peavey EVH Wolfgang Standard, (front/back), (headstock), (fretboard), (case/acc.).  Beautiful world class axe and remaining a very hot ticket on the used guitar market as an alternative to the pricey Musicman EVH.  Quality control on USA Wolfgangs is perhaps the highest I've seen on a regular production model and I've yet to get in one that had any issues at all, with great necks that never fail to deliver the ultimate perfect set up.  This one is in beautiful shape, owned only by two collectors, with no discernable flaws anywhere.  Neck is beautifully figured with plenty of birdseye that I would rate above average figuring for this model.  Flame is evenly figured left to right; top to bottom.  Frets are near perfect, 99%, and the setup is superb.  The "NT" (non-tremolo) models are an example of superb engineering, with both the tailpiece and bridge recessed into the body for maximum transfer of energy from the strings to the body.  These guitars consistently rise on the used market and you'll see a few Ebay dealers who specialize in Wolfgangs relisting them until they get $1600-$1800 for a Wolfie like this.  At $1299, this one is priced less than it sold for new so in my book that's a decent deal on a guitar that has shown consistent appreciation over the past 4 years. Includes original case, factory check-list, manual, polishing cloth, and fretboard protector (not pictured).  (possible hold - Larry F, local)

2006 Ibanez AGB200 Semi-Hollow Bass, (front/back), (headstock).   Never retailed and perfect.  Top of it's class for playability, tone, and comfort, beating any semi-hollowbody bass I've seen at under $600 list.  The AGB200 features a 30" short scale which makes it very easy to get around on, with an all maple body, dual humbucker pickups, gold hardware including Gibraltar III bridge, bound neck - body - f-holes - headstock, and pearloid tuner buttons which adds a touch of elegance to the inlaid logo and headstock emblem.  The action on this bass is very nice and it's very well balanced for a hollow body.  This bass sells new for $449-$479  but this one, freshly set up to perfection has never been retailed, still has the plastic on pickguard and pickups and is just $399.  If you're a fan of semi-hollow short scales, such as the Epi Rivioli, I think this is a better bass and a much better value.  Click here for Ibanez site specs.  

*****************************************************

Taylor T5's on Sale - $150 - $300 off, which puts at or near my cost.   Great selection, including custom colors, Standards, Customs, and even a 12-string.  

2005 Taylor T-5C Custom C2, (pic2).  Thinline Fiveway Custom C2 - One of the best flamed Koa Tops I've seen and this one's mint in original box.  For full specs click here and 200 sound clips click here.   What a fantastic guitar.  Typical of Taylor, they had a completely innovative idea for their first "electric" guitar.   The T-5 is described as an artistic merger between the acoustic and electric worlds.  The beauty is crafted with a solid Koa top, gold hardware, T-5 Custom Artist fretboard inlays, full binding, bone nut and saddle, stylized F-holes, mahogany neck, Sapele body, Ebony fretboard and Ebony headstock overlay with pearloid logo.  A resonant, fully hollow thinline body is the backbone of the T5, and yields incredible presence and excellent projection for a thinline body.  Its comfort and playability are what you'd expect from Taylor, low action while giving you the freedom of a solid body and the feel and sound of a finely crafted Taylor acoustic.  Whether played through an electric or acoustic amp, it delivers an excellent range of pure tones from smooth, strumming acoustic to crunchy electric chords.  Electronics include a unique 5-way pickup system composed of a magnetic acoustic humbucker, magnetic electric humbucker, and a single Dynamic Body Sensor soundboard pickup, as well as a preamp system for mixing up the exact tone you need.   Again this beauty is dead mint and includes deluxe Taylor case and case candy, as well as the original shipping box!  Plus, with my man Martin as the area's licensed factory tech for Taylor, you're guaranteed to get the best playing one around.  With a list of $3718, these sell in stores or online for $2899 but I'll bet you won't find one with a top this nice.  To make it even better, this "as new" beauty is priced $700 less, just $2199.   NOTE:  NOW ON SALE for $1999.  

2005 Taylor T-5 Standard, (pic2).  For full specs click here and 200 sound clips click here.  Aka "Thinline Fiveway" Standard S1.  Other than a solid spruce top rather than koa, and less cosmetic appointments, the T5S is the same guitar as the fancy T5C above so I won't repeat the specs.  Bottom line is this is an excellent guitar in beautiful condition and includes deluxe Taylor case and the case stuff.  Again, with Martin as the area's licensed factory tech for Taylor, you're guaranteed to get the best playing one around.  With a list of $2598 these sell new for $1999 but this nice one is just $1699.  NOTE:  NOW ON SALE FOR $1399. 

2007 Taylor T5S-12, (pic2), (pic3), (Controls).  Currently listed but see my Acoustics Page for details.  With a list of $2798, these sell at discount for $2099 for the stores that have one in stock.  This one is "as new", set up to absolute perfection and just $1799.   Includes Taylor luggage case, unsigned warranty, CD/Manual, etc.  NOTE:  NOW ON SALE FOR $1649. 

2006 Taylor T5-C Thineline Fiveway Custom - Custom Color, (pic2), (pic3).   (pic of switch and tone chart).  Currently listed but see my Acoustics Page for details.  Never retailed and perfect.  Very rare custom color Aztec Gold!  A standard T5-C currently lists at $2998 and sells online for around $2299 in standard finishes.  Why not spend a lot less and be the only kid on the block with this rare Aztec Gold model, offered "as new" for just $1749.  NOTE:  NOW ON SALE FOR $1649. 

2006 Taylor T5-C Thinline 5-way Custom with Dual Humbuckers, (front/back), (headstock), (controls), (side view).  Currently listed but see my Acoustics Page for details.  This model sells in stores for $2399, if you can find one.  This one has virtually no players wear, without a single pick scratch or button scratch on the back and frets are like new.  Set up to perfection and a lovely and unique T5 for just $1850.  Includes Taylor case, unsigned warranty.  NOTE:  NOW ON SALE FOR $1699. 

*****************************************************

Dr. Z Route 66, (top), (back).  An original Dr. Z designed, based on the KT-66 tube originally built by Genelex which generates the "Milkshake Thick" tones as heard on John Mayall's "Bluesbreaker" album featuring Eric Clapton.  Not that the Route 66 is not a duplicate of the Marshall JTM-45, but completely original spin with new tonal end results.  It has an EF-86 front-end, which is a 9 pin pentode, offering incredible gain and input dynamics. It is normally used in high-end stereos, by virtue of its accurate transfer of input signal, balance, and headroom.  It features a deceptively simple tone stack, consisting of Volume, Bass, and Treble, which feeds a non-negative feedback Phase Inverter, for true harmonic content and full output tube dynamics - with a GZ-34 Tube Rectifier to complete the round enveloped tone.  The total result of Z's engineering is a piano-like clarity with endless sustain, even at low volumes.  At a club-size 32 watts, you can really open it up and it sings when driven hard, in a focused, thick distortion, with a remarkably tight bass response.  It has outputs for 4, 8, or 16 ohms.  For sound clips and reviews you can check out Dr Z's site.  Don't pay $1649 for new when this beautiful used on is just $1149.   For a killer matching cab for this head, I can offer this blonde 2X12 custom made open OR closed back, loaded with an EVM-12L and a Vintage 30 for just $499:  (cabinet), (cab back), (extra panels), (speakers). 

Marshall Hand-Wired 2061X Reissue, (top), (back).  One of Marshall's recent hand-wired reissues, bringing back the tone and meticulous construction of the original 60's models.  This one is a reissue of the 20-watt Lead and Bass 20, Model 2061, which was produced from '67 to '73.  Features include: All-valve design with two 2xECC83 preamp tubes and two 2xEL84 power tubes, point-to-point - handwired - tag-board circuit, High-grade ceramic tube bases, dual channels ("Lead" and "Bass"), each voiced differently, Custom-made, Dagnall reissue transformers, Box-section, 16-gauge, mild-steel chassis, High-grade Baltic birch cabinet with finger-locked joints. This is a great sounding amp and although it's a different animal, it reminds me of my favorite Marshall of all time.  Of the 28 vintage amps I brought back from London in '94, a Lead and Bass 50 head was the greatest sounding of them all.  This one with EL84 power is a little more chimey sounding but the singing tone when saturated is reminiscent of the 50W model.  With new ones at $1849 ($2500 list), here's one in very clean shape that sounds fantastic, and is a smoking deal on a hand-wired amp at $1299.  For more specs, click here for Marshall's site.

Marshall 1960AX 100W Cabinet, (back).   Perfect companion to the Lead & Bass 20 head above or any other lower-wattage Marshall.  Factory loaded with 25W Celestion "Greenbacks", this cabinet gained fame as *the* rock cabinet in the 60's and early 70's.  Part of its magic is the lower powered speakers which when driven can give you the speaker break-up that many players love.  Personally, I wouldn't recommend driving it with a 100W Marshall for fear of blowing speakers and would recommend keeping the amp at 50W or less.  Specs include: Early 70's cosmetics with checkerboard grill cloth, white piping, Black Levant vinyl, and Medium size white logo. Other specs include Gold trim beading, angled front, recessed handles, four Celestion G12 M-25 speakers, 100W rating, 16 ohms, weight approx 83 lbs.  New cost on this cab is $1099 ($1550 list) but this one's in clean shape - never roaded - and just $650.  Note:   Another good companion, and one with more power than the 2061X is this JTM45 Reissue (see my amps page (listing #10) for more info on the head).  

Ultimate Support AX48B Apex Stand, very cool design and everything fits inside of main shaft, very strong, very compact, and sets up in less than a minute.  Best stand made if you ask me. List $279 and sells online at $229 but this used one's in great shape and just $115. 

2006 Dean USA Hardtail , (front/back), (headstock), (side), (keyring), (case).  Simply gorgeous figured maple that looks great from any direction - from top - bottom - or either side.  Dean called this one a quilt but I call it wide flame.  Either way, it's gorgeous.  This guitar is absolutely perfect, never retailed and unplayed condition.  I get in just about every higher end production guitars made and this is, without a doubt, one of the finest production guitars made - with looks, tone, and playability as good as it gets.   This guitar has one of the best acoustics tones I've ever heard from a solidbody electric.  The Hardtail was the first guitar designed by Dean Zelinsky after his 12-year hiatus from Dean, with 3 years in the making, finally debuting at the 2001 NAMM show.  Dean uses only the finest tonewoods - hand-selected mahogany with the highest quality figured maple, as well a fine Ebony fingerboard, wood binding, quartersawn neck, Abalone inlays on fretboard as well as headstock logo and model, nickel hardware with Grover tuners - Tonepros bridge -  and Duncan pickups.  Very nice weight and extremely comfortable to play.  For full specs see Dean's Site here.  If you're a fan of PRS this guitar should appeal to you - the vibe is similar and the quality is as good or better.  Current list price on this guitar is $3850 and this one is in unplayed condition - at way under 50% off, just $1750 and one of the best tops you'll see on this model.  Includes excellent quality formfit Dean case.

THE ULTIMATE GUITAR FOR THE B.C. RICH COLLECTOR:  (Bernie Sr's. Last Guitar), (pic2).  More pics and full description at this link:  www.chrisguitars.com/bernie.html.  Owned by Martin Miranda, my world-class tech, who was a close friend of Bernie and this was the last guitar that Bernie ever built, albeit not quite finished, and he was working on it the very day of his untimely passing.  Click the link for a full description and feel free to email Martin Miranda directly at the address on the page.  

Burns Scorpion Bass, (front/back), (headstock), (gigbag).  Off-hold and now includes a very thick "EI" gigbag.  New-old-stock and harder to find since Burns USA folded a few years ago.  Burns London, since the 60's, was always thinking outside the box has built perhaps the most evil looking bass I've ever had.  This one's actually an update from the 80's model.  Feature P and J pickups with 3-way selector and mini-toggle for phase switching which allows a lot of cool collection of tones.   Pearloid neck binding makes for comfortable slides up and down and deep cutaways allow for easy access to the upper frets.  With a list of $899, you'll see these for $659 but this one is perfect with plastic still on the pickguard AND pro-setup prior to shipping - for just $529. Includes very plush EI gigbag with black/white spotted lining. 

B.C. Rich USA Mockingbird, (front/back), (headstock), (case).  Off-hold and now with a decent Rich case is this most excellent 1980’s USA model with cool and rare BlueSparkleBurst finish (close-up).  Hard to do it justice in the pics but the finish looks great, with tiny silver flake in it which gives the guitar a great appearance under stage lights.  Features a great sounding pair of EMG's, with the Zakk style EMG 81/85, top quality double-locking Kahler/Floyd Rose (pic) recessed into the body, Sperzel tuners, factory original no tremolo cavity cover (no screw holes), abalone dot inlays (may be replacements), nice player and killer tone.  Played but overall nice shape with no major flaws.  Good deal on a nice semi-vintage American Rich at just $575.  

**************************************************

Alesis Playmate Vocalist, (pic2), (pic3).  Very useful tool for practice, performance, or just fun. The Playmate is a vocal remover and microphone processor that includes an internal stereo CD player. It is designed to sweeten vocals for stage use, as well as pitch and speed change for learning, and can remove the vocals for use in karaoke applications. The PlayMate Vocalist can remove vocals from virtually any stereo CD. It also performs tasks such as changing the music tempo without affecting the pitch, and changing the pitch without affecting the tempo. This allows a vocalist to always sing a song in the optimal key, and to adjust the tempo to change the feel of the music. Tempo and key adjustment can also be made for practice purposes. The PlayMate Vocalist can transpose music +/-7 semitones (or half-steps), and adjust the pitch 8%. The tempo range is from 50% to 150%. The PlayMate Vocalist includes 100 reverb algorithms, allowing the singer to be heard in a variety of ambient spaces. A vocalist can easily match the ambiance of the music, or use reverb effects more creatively. The PlayMate Vocalist has one microphone input, two headphone outputs, and stereo balanced line outputs. Recently discontinued, this unit had list price of $299 and still sells online for up to $209. If you're looking for a useful and fun unit, I have a few of these at just $99 (HOLD 1/each for: Clark M.; John C UK). If you've ever price Karaoke CD's, it will quickly pay for itself. 

On Stage Boom Mic Stand and Audio Spectrum AS-400 Mic, (pic2), (AS-400 Mic).  Looking for a last minute gift idea for under $50?  This package includes everything you need for vocal performance:  Good quality boom stand by On Stage, Good quality Audio Spectrum vocal mic, peg-style mic clip that opens with a light squeeze; even includes 20' mic cable.  Mic stand adjusts from 30" to 63"; boom is 30" with counterweight; boom has separate clutches for height and angle of boom; folding legs with plastic end caps - breaks down to around 3" X 30".  Mic includes carrying case, clip, and mic cable.  With a list price of $117 for the stand, mic, and accessories, this is a nice package at just $44.99.  

*************************************

Bigsby B-5 Vibrato, for solid body guitars, this is an old Bigsby I got from Duke Kramer (RIP) many years ago.  It's new, old stock, but I suppose it's quite old.  The box has the Kilgore Rd., Kalamazoo MI address if that helps to date it.  Includes bridge, spring, instructions, and screws.  $175

Bigsby B-7 Vibrato, thin acoustic-electric guitars this is an old Bigsby I got from Duke Kramer (RIP) many years ago.  It's new, old stock, but I suppose it's quite old.  The box has the Kilgore Rd., Kalamazoo MI address if that helps to date it.  Includes spring, instructions, and screws.  $175

2007 Fender USA Highway One Stratocaster, (front/back), (headstock), (case/acc.).  Flawless condition - not even pickguard scratches - and at 7.2 lbs. it's definitely the lightest one I've had.  Fender usually reserves their light weight alder for higher end guitars such as custom shop but every now and then you'll come across a resonant, lightweight body and here it is.  Features of the Highway One include the popular large '70s headstock with 70's logo, fat frets, alder body, C-shaped maple neck with rosewood board, Alnico single-coil pickups, upgraded vintage-style bridge, super-light nitro satin finish, and Greasebucket tone circuit.  New ones are $749 (with gigbag) and they're generally nice guitars with a medium weight.  If you're looking for a really nice one - here it is - set up to perfection and the lightest Highway 1 Strat I've ever had - just $575, including Deluxe Fender gigbag - or $685 with Fender hardshell case.

2002 Fender USA Highway One Telecaster, (front/back), (headstock).  In ultra-cool 60's custom color, Daphne Blue, with proper CBS spaghetti logo, which makes more sense than the current model with 70's logo.  Ever see a real 70's Fender in original Daphne?  Me neither.  There isn't one.   The main thing with the Highways is the finish, which in late '02, was a high resonance, low gloss, acrylic lacquer that lets the tone ring out and sustain better than standard finishes.  This is a cheaper finish to produce but makes the guitar louder acoustically with increased sustain.  They also wear well and develop a glossy finish in areas where you body comes in contact and tend to take on an honest "relic" appearance the more you play them.  Other features include Alder body with satin nitrocellulose finish, maple neck with C-shaped profile and modern 9.5" radius, standard Fender Ping tuners, vintage Tele style bridge with strings thru body, 3 vintage style steel saddles, and 3-ply white pickguard.  There have been several iterations of the Highways already, but this model is my favorite - an early model custom color with proper maple fretboard and white pickguard with era-correct logo.  Comes with Martin's typically great setup and overall in very nice shape.  New ones are $749 with gigbag, but this Daphne beauty is $579, including Deluxe Fender gigbag.  If you need a hardshell case, substitute Fender case for $60. 

Oscar Schmidt OF-1 "The Joey" Travel Guitar, (pic2).  A surprisingly good sounding 3/4 size acoustic and on par with the Taylor Baby in terms of playability and tone.  The OF-1 features Select spruce top, Mahogany sides & back, Nato neck, and sealed chrome tuners.  19.3" scale is easy to get around on and the nut width of 1.75" is wider than most full size guitars.  A fun guitar that fits in the overhead of a commercial just for just $159.  

1970's Altec Lansing 654A Vocal Mic, (case, documentation), (spec sheet).  This is a good find for the collector - or anyone looking for a quality vintage performance mic.  One owner, used very briefly in college ca. '68-'72, and in storage for nearly 40 years.  It still works great and is a good sounding mic for live applications.  Click here for Altec's page on this model.  Back in these days each mic was fully tested and the test/calibration sheet for the mic was included before it left the factory.  Hard to imagine that today.  Sold new for $55, which is around $150 today and a nice mic for $75 in 2008 dollars.  

Lace Dobro Sensor, (pic2).  Developed  in conduction with the Dobro factory and stands as the only magnetic Dobro-style unit available today. Works for anything from Delta Blues grit to bluegrass twang - and everything in between. Used by greats such as Ronnie Wood, Bob Dylan, Dixie Chicks, and others. High quality cable and female 1/4" Switchcraft end pin jack. Cable wraps around strap end pin. Comes with double sided stick tape in two thicknesses and includes a three-inch mini data CD that includes all its latest wiring diagrams, catalog, and other information about Lace.  List on new is $124 but this mint used one is just $69.

2008 Giffin Model T Special, (front/back), (headstock), (certificate/spec's), (case).   This is a fine, fine guitar.  The best Les Paul Special type guitar I've had...ever.  You can feel the quality before you even strum the first chord and within 60 seconds, you'll likely agree with me.  Griffin offers quality custom handmade guitars all based in classic designs for a vintage appeal, with modern day enhancements.   They are true boutique guitars, built one at a time, each one built to the personal spec's of the new owner with several custom options to choose from such as woods, pickup configuration, color selection, inlay design, neck specifications and more.  He does not use a dealer network and sells his guitars direct to the public which saves your around a 30% markup.  Current wait time for a built is approximately five months.  Roger Giffin started building guitars in England through the 60's and later moved to the USA where he designed the prototype for Steinberger's "M" series guitar.  He later headed Gibson's west coast custom shop while building guitars for players like Eddie Van Halen, Joe Walsh, Peter Frampton, Jimmy Page and Malcolm Young.  About the Model T Special:  Specifications include Black Limba body, Black Limba and Maple neck - laminated for strength, East Indian Rosewood fretboard; White celluloid bound fingerboard;  Gibson scale - 24 3/4 inches, Standard Abalone line inlay, black headstock veneer, Tonepros bridge/tailpiece combination, Gotoh mini tuners, clear gloss polyurethane finish, and lastly, a smoking pair of Kent Armstrong V P90 pickups.  To me there's nothing that beats the simplicity or comfort of a wraparound bridge and this Tonepros has all the advantages, with none of the disadvantages.  It's fully intonatable and feels very comfortable when damping strings with your hand.   The neck is spectacular, very thin like an old Gibson double-cut, with binding for comfort and cutaway very deep into the body  It's also uniformly thin from the 1st fret to the 22nd, rather than getting chunkier as you go up the neck but he profile is a very subtle soft V at the lower frets, gradually flattening out to a D-shape at the top of the neck  For pricing and details on this model click here for Giffin's site.  You can order direct from Giffin for $2650, which is extremely reasonable for a hand-made guitar of this impeccable quality - or if you don't want to endure a 1/2 year wait this 2008 model is in unplayed condition and a nice buy at just $1850(HOLD - Hank H.).  In closing, as many of you know, I'm a huge Junior/Special fan.  I feel that this Giffin Special is as good - or better - than any Gibson LP Special that I've ever played.  

Fender Squier Neck-Thru Showmaster Deluxe, (front/back), (headstock), (double-locking lic. Floyd Rose), (neck-thru).  New—never retailed and perfect.  I just *found* this guitar in a mis-labeled box where it had set for several years.  The Showmaster Deluxe is an excellent quality import from Korea.  Don't let the Squier name throw you.  The early models were called Squier but a year or two later the same guitars were produced without the Squier label.  Man, I wish they had guitars of this quality when I was coming up.   Back then you had to spend $500 to get something decent, or $300 got you a very poor guitar.  This one is quality all around:  Neck-thru construction, good hardware including an excellent licensed double-locking Floyd Rose tremolo, good quality pickups, immaculate Shoreline Gold Metallic finish.  Although labeled "Stagemaster", this model was actually called the "Showmaster", which distinguished it from the bolt-on model.  List price when produced was $583 but this one will come to you fully set-up, never played, and just $299

2005 Suhr Classic T "HH" with Options,  (front/back), (headstock), (contoured heel&cutaway), (spec sheet), (case).   Among the best built American guitars but built in such low numbers that many players are somehow still unaware of them.   Suhr fans know that their quality is equal to or better than "F" Custom Shop, and more along the lines of Master Built.  Collector owned and immaculate, this Classic T has a cool look that's sort of a modern take on the workhorse Tele, a modern look with a pair of white humbuckers on an Olympic White body and equipped with a very un-Tele-like tremolo.   Each Suhr guitar is built to order and specs for this one include:  hand-cut body, Alder body, 60's C-shaped "medium" maple neck with Pau Ferro fretboard and 6105 stainless steel saddles, Tusq nut, 1088 tremolo with steel block and stainless steel saddles, 1.65" nut, Sperzel locking tuners, no pickguard - rear routed, volume-tone-5way switch, traditional Tele "cup' output jack, JST DSV humbuckers which split for humbucker and single coil operation, 10-14" compound radius, Buzz Feiten tuning system, and G&G custom fitted case that hugs the body and provided neck support the entire length of the neck.  One last option offered by Suhr and ordered with this guitar, is the neck "Plek" (link), which, in simplest terms, is what is referred to as a "level and dress"--when done by hand-- but referred to as a "Plek" when done on a Plek machine.  Very few shops own this machine, due to its hefty $80K price tag.  The result of a Plek'd neck is a *perfect* neck, with each fret dressed perfectly, to exacting standards not achievable by hand, allowing the guitar to sustain a truly perfect setup.  On the retail end, Plek jobs will run around $140 but if you want the lowest possible action, it's worth the expense. The hand-craftsmanship is evident in all the edges and contours on this guitar, especially in the carved out area around the neck pocket; sheer beauty to me.  This guitar has an outstanding setup and in all aspects it can stand up against any Fender Custom Shop.  For reviews of this model where it scored an incredible 9.8 overall, click here for Harmony-Central.   If you're a Suhr fan you know what a great guitar this is, and if you're contemplating a new one, you might want to consider this barely played beauty at around $1000 less than new.  Just $1799 takes it home. 

"AS IS" SPECIAL: With thanks to UPS, massive price reduction on this SWR Studio 220 Rackmount Bass Amp (click to enlarge pic), (back).   Blowout priced, at $200 off.  The good news:  The amp still has full output and is a very useable amp.  The bad news:  Main volume doesn't engage until in the full volume position.  I always run the main volume all the way up and control my volume with the preamp volume so to me this wouldn't be an issue.  Other issue is in the graphic EQ section:  The mid-bass slider doesn't do anything (other three boost/cut properly) and none o the frequency select knobs are working.  With this said, with the 3 working graphics and the preamp "bass" and power amp "treble" control you can still get a pretty wide variety of tones.  Previous description:  The Studio 220 has its roots in SWR's very first amp, the PB-200, and played a major part in SWR's reputation as industry leader in bass amplification.  This amp is packed with features and virtually everything you really need in a studio or stage rig.  The 220 is loaded with tone-shaping features such as a 4-band parametric EQ (picture), where you select the frequency via the rotary pot and use the slider to dial in the amount of cut/boost that suits your needs.  The tube preamp (preamp section) has a 12AX7 to warm up the tone, and features a clipping LED, with Gain control, Limiter with LED indicator, a Bass control with +/1 15dB, and an Aural Enhancer that you'll never want to turn off.  Once you hear it, you'll feel like you're hearing "color" tones compared to black&white tones without it.  The power amp is solid state, (picture), and features Treble control with pull "Transparency", selectable crossover frequency if you're running a bi-amp set-up, and master volume with clip indicator LED.  Other features include effects loop, XLR record out with pad and ground lift, preamp out/power amp in jacks, and footswitch for EQ in/out.  This is a lot of amp in a small, 2-space package, weighing in at just 13.5 lbs and it had a rather long run, '87 to '98, selling for $1000 when they were discontinued in '98.   Although at only 90% functional, it sill runs full power and even with the limited tone shaping it's still very useable for smaller clubs, churches, and studio.  Previously priced at $350...now priced at $150.  

**********************************************

PRS Custom 24 20th Anniversary Artist Quilt with Brazilian Fretboard, (close-up), (front/back), (headstock), (fretboard).  What a beauty.  Quilted maple finished in Tortoise Shell and gold hardware...what a combination!  2006 model with beautiful "10" *quilt* top with the upscale Artist package which includes premium top woods, gold hardware, bird inlays, rosewood headstock overlay with inlaid Paua signature, and a leather hardshell case.  To commemorate their 20th anniversary, PRS offered this distinctive “birds-in-flight” inlay on their Customs and Artist package models, and only a small number of these were offered with Brazilian fretboards.  The unique fretboard inlays are a slight departure from PRS' normal bird inlays and feature green ripple abalone with brown lip mother of pearl wisps.  These beautiful instruments bearing the anniversary fingerboards were only produced through early '06. This one is outfitted with wide-thin neck, PRS tremolo, 14:1 Phase II low mass locking tuners, Black anodized “20th” truss rod cover, HFS and Vintage Bass pickups, and McCarty switching with a 3-way toggle combined with push/pull tone pot.  Although the  top on this guitar is a real stunner, with some of the nicest bookmatched quilted maple you'll see, it does have a finish imperfection visible upon close inspection - some milky spots near the back edge, shown here.  Otherwise, this guitar is exceptional.  Set-up is how you want a PRS to be, nice low action and a fast, thin neck.   List price on a Custom Quilt with Artist Package is over $5K, not counting the Brazilian board, and I would normally sell this in mint condition for around $2800.  If you don't mind a slight finish imperfection, this one is otherwise a beautiful guitar and a chance to own a top of the line Artist model--with a rare Brazilian board-- for just $2250.  Includes Leather PRS Artist case and all the case stuff.  

2005 S&T Custom by St. Blues,  front/back), (headstock).  Excellent quality import with it's roots in the 80's Strings & Things (thus the S&T name), based in Memphis and makers of the defunct but high quality St. Blues guitar line.  These S&T Customs barely made it into production, falling away in favor of the regular St. Blues line but they offered an exceptional value and are some of the nicest imports I've seen in this price range, at almost 1/2 the price of a St. Blues Bluescaster.  Sort of a hybrid between a Tele and Strat, the S&T Custom features an ash Tele body, but with Strat appointments such as back contour, tremolo, large pickguard, and Strat pickup layout.  It's a nicely figured piece of ash, finished in white blonde with a high gloss finish.   Neck even has a little nice flame.  While the sound is much more Strat than Tele, this guitar does have a good quality tone and an excellent set-up.  Fit & finish are on par with guitars costing twice the price.  If you're looking for something a little different, without deviating from traditional styling, this is an excellent guitar at just $339(HOLD-Frank G 12/9).  

GIFT IDEAS FOR $139.99:  Complete Dano Pedalboard with 5 Effects.  What guitarist doesn't like some new tones to play with!  Here's five very cool effects, complete with power supply and case, so you'll never have to mess with hooking them up every time you want to jam.  These Dano mini effects are excellent sounding units and provide more bang for the buck than any other brand.   Description:  Travel Case/Pedalboard loaded with FIVE Dano effects, new in the box and includes hard case, power supply, daisy chain to power pedals, connecting cords and 5 effects: Slap Echo (BLT), Tremolo (Tuna Melt), Chorus (Milkshake), Overdrive (Pastrami), and Chromatic Tuner.  Any of you last minute Santa's looking for a cool gift - you can even individually wrap the pedals for stocking stuffers!  List price was $254 but save on the package deal - just $139.99 for the complete package - and free shipping within 48 states.  With the case/power supply, this works out to just $23.33 per piece.  Now that's a deal.  

Sharp SD-HX500 wall-mount receiver, amp, and DVD player, (patch bay), (patch bay #2), (side controls), (remote/connecting cable).  Perfect for the home or office with a wall-mounted flat screen.  This set is brand new, with zero hours.  I ordered it for our new LCD TV but when "the boss" decided to go with conventional TV stand, we no longer needed a wall-mounted system.  Receiver puts out 500 watts (100W left/right - front/rear - plus 100W center speaker).  For more specs click here for Sharp's site.  Easy to hook up - just one 2-line cable connects the two units, hook up your speakers, and plug into the wall.  Does not support HDMI cable but does accept RGB and S-Video plus has aux inputs for VCR, gaming system, etc.  A really nice system at a really nice price - just $150 and comes in factory packing.  

Melancon P90 Artist, (maple top),  front/back), (headstock), (rosewood neck), (spec tag), (case).  A real beauty finished in Tiger Eye Brown.  Some of you forum guys will be familiar with Melancon.  A few names players like Brad Whitford (Aerosmith), Phil Keaggy, and Southside Johnny are but a few who own these fine guitars.  Melancon guitars are extremely well respected by players and there are few on the used market.  The P90 Artist features a mahogany body with a beautiful quilted maple cap and, at least on this particular guitar, a solid Indian Rosewood neck, although specs call for mahogany with rosewood board only.  This one also features a tone-chambered body which keeps it lightweight and, to my ears, provides a more acoustic tone.  Other specs include Seymour Duncan stacked P90's controlled by 3-way switch, plus series/parallel/split mini-switch, Grover locking tuners, graphite RF shielding in cavity, hardtail bridge with strings-thru-body, bone nut, 10"-12" compound radius neck, and 6105 medium-jumbo frets.  For Melancon's site and this model, click here.  If you're looking for a great hand-crafted guitar with a classic P90/Mahogany tone, this one is exceptional.  They don't advertise prices but I'm sure a new one will set you back over $2K.  This one is in impeccable condition, and simply one of the finest guitars I have in stock at just $1475(HOLD-Charlie H, local).  

SX Vintage Series J-Bass Fretless, (front/back), (headstock).  Killer looks in a very traditional Jazz bass.  This is one of SX's more deluxe models with quilted maple top and gold hardware.  Very comfortable, thin J-style neck, vintage tuners stay in tune very well, pickups have that mid-range honk you love in a Jazz and are especially well-suited for fretless playing style.  Offered in immaculate condition with a superb in-house setup for just $125.  

Lakewood M-14 Grand Concert, (front/back), (headstock), (case), (front), (soundhole/binding).  Many of you have never heard of Lakewood acoustics, but many of you who cruise the acoustic forums, or have a specialty acoustic shop in your town, are aware of these fine German-made acoustics.  Here is a typical thread from the AcousticGuitarForum.  The M-14 is the base model for Lakewood, i.e. their entire price list is based on any deviations to this model.  This guitar is an exceptional Grand Concert and I find the projection closer to a dreadnought and while it has a very warm, balanced, and lush sound, it still has enough sparkle on the top end to make it sound good for finger picking.  It is perhaps the most balanced tone I've heard from a Spruce/Mahogany body guitar.  Features AAA Cedar top, Mahogany body (Martin says it's actually African mahogany - "Sapele", Ebony fretboard, flamed maple binding, Abalone/walnut rosette, Indian Rosewood headstock veneer with mother of pearl logo inlay, bone nut, D-shaped mahogany neck, 25.6" scale, 1.81" nut, Schaller tuners, and Ebony bridge pins.  Full spec's for the M-14 can be found here, at Lakewood's site.  Martin, my tech extraordinaire, used to be the sales rep for Lakewood Germany during his Valley Arts days.  He was excited to get this guitar in stock and went on, at length, about what fine instruments Lakewood manufactures.  With shipping and duty you'll pay around $2K for a new M-14 such as this (plus a 60+ day wait0 but this one is barely played, in beautiful shape, and one of the nicest sounding GC's I've had at any price.  At $1299(HOLD-Brian 1/2), it's an exceptional value in my opinion.  

Natural Ash Custom Telecaster, (front/back), (headstock), (neck), (hardware), (body/pickups).  Killer vibe in this well built custom Tele with a mix of parts old and new, which combine to make this a great looking and great playing Tele with quality tone.  Here's the rundown on the parts:  Mighty Mite body of solid American ash (vintage routed) and North American maple neck with an insane amount of birdseye; Tonepros Kluson Tuners; NOS 70's Fender Neck Plate; 66 Fender Mustang neck screws; NOS Kahler brass control plate; Charvel brass strap buttons (purchased from Michael Charvel); 1977 Fender Strat Pickguard/control plate screws; Fender reissue '52 pickguard - strap button screws - felt washers; Brass knobs; Brass String trees; 80's brass bridge.   Pickups are Seymour Duncan vintage Tele's with cloth wires.  They make this guitar sound like Tele is supposed to sound.   This guitar brings to mind many of the 70's Fender Tele's which were modified in the 80's to include brass parts, when brass was almost a requirement for a properly modified Fender.  You can build a guitar like this for what we're selling it for, although you might have a hard time finding a few of these parts, plus it may not play as nice as this one.  When I come across a guitar that's already "right", I don't mess with it.  For a Tele of this quality, a nice buy at $575, including Fender gigbag.  We can also offer a logo job upon request. 

1994 Gibson J-30 Cutaway with Baggs System,  (front/back), (headstock), (case), (preamp/pickup).  Fairly rare model from Gibson from the "Only a Gibson is Good Enough" banner era, used briefly in the 90's.  This is a first year example of the J-30 Cutaway, made from 1994 to 1998 in Bozeman MT and features 2 quality upgrades.  The original preamp for this model, Gibson's AccuVoice, was primitive and ineffective by today's standards.  It has been removed in favor of a current L.R. Baggs "element" preamp, professionally wired to a Baggs M-1 soundhole preamp ($139 online for the pickup alone).  The M-1 is normally a passive standalone unit (no preamp required) but this system has been professionally installed, working in tandem, and the result is an amplified sound that meets today's standards and is far better than the antiquated AccuVoice.  Click here for 15 reviews of the M-1, where it scored a commendable 9.5 in sound quality.  The other change is quality Grover tuners in place of the Gibson Deluxe, and they keep the guitar in perfect tune.  Specs of this model include Sitka spruce top over a mahogany body, gloss finish, 1-pc mahogany neck, multi-ply body binding, unique shape tortoise shell pickguard, rosewood fretboard with pearl dot inlays, deep cutaway to allow access to the upper register.  Guitar has a very comfortable setup, with a full saddle to work with which guarantees many years of adjustments before any major repairs would be required.  Acoustic tone is very warm, with excellent projection and especially with this amplification system, would be an excellent choice for stage use.  This was a fairly pricey model, retailing for $1750 when it was discontinued 10 years ago.  With the upgraded electronics and tuners, this is an excellent value in a well-made Bozeman Gibson at $850.  Includes non-original tweed case.  Note that the low-z output jack has been bypassed and it's wired strictly for the 1/4" output jack.  

1999 Parker Fly Deluxe, (front/back), (headstock), (case).  Just got in another one - just like the other one.  This makes 3 Majik Blue Fly's in a row1  Perhaps the most innovative guitars in the past 20 years, and at just 5 lbs., these USA Fly's are like no other guitar ever built.  Although built 95% of wood, the composite finish adds exceptional strength and allows the guitar to be extremely thin, thus the light weight. Other features include custom wound DiMarzio pickups, an Active Fishman Piezo system that's one of the best piezo systems ever and specifically designed for the Fly, a 3-mode tremolo bridge (hardtail, down bending, and full floating) that changes at the flick of a switch, stainless steel frets that are impervious to wear, Sperzel locking tuners, and super thin contoured body that fits the human frame like a glove.  Output jack is stereo/mono switchable via small red button beside jack.  With the button out signal is stereo and  humbuckers and piezo can be routed to separate amps - with button in, output is mono and with a standard cable both signals are routed to the same amp.  Don't get these confused with the cheaper Fly Classics and others - the Deluxe was top shelf stuff.  Even now that they're building them again, and in greater quantities, they're still $2399 discounted price.  This one's in excellent condition, plays perfectly, and electronics are flawless - at $1000 less - just $1399(HOLD-Marc BE 12/11).  Note:  I also have a set of 1st generation Parker/Dimarzio pickups (shown here) that we can substitute for labor cost only.  

2000 Gibson Les Paul Gothic with Custom Graphics, (front/back), (headstock), (case) (front graphic), (back graphic).  I haven't had one of these in a few years and this one's pretty cool, with professional graphics airbrushed on - safety pin going "through" the top, with lightning strike and storm clouds on the back.  The artistry is first rate and contributes to the vibe of this "dark" guitar.  The Gothic series were short-lived, from the early 00's and the defining features were a black satin finish, black hardware, Ebony fretboard, Orville Gibson's portrait on the back of the headstock, and a crescent/star inlay at the 12th fret - no other fretboard markers other than side dots.  Underneath it all, specs are regular Les Paul with a maple cap over mahogany body, mahogany neck, 490R/498T Alnico humbuckers, and Grover tuners.  The 490R/498T humbuckers are very hot, well-suited for what was, ostensibly, the market they were going after.  Overall very nice for a used guitar with excellent frets and just normal light player's wear.  This is an excellent playing Paul and with these graphics, perhaps the coolest Gothic in your home town - for $799(Tentative - Mike A).  Includes Gibson brown case in nice shape except combo lock is missing top latch.  

1965 Gibson ES-125T, (front/back), (headstock/neck), (finish checking) (all original parts), (neck joint).  I've had this one for over a year, trying to decide whether or not to part it out but in the end, it's too much hassle and, bottom line, I hate to part out a perfectly good playing guitar that has all original parts.  The bad:  Has an extra hole drilled in the top for unknown reasons.  It has also been refinished in the neck heel area, top and back, leading me to conclude that it had a heel repair done at some point.  Lastly, on the first string - and first string only - it frets out somewhat at 12th and 13th fret.  Upon request we can raise the action to medium which will take care of this, but it plays so nicely everywhere else that we've left the action low.  Nitro finish is checked throughout - body top and back, sides, neck, and headstock.  The good:  No cracks or repairs other than as mentioned, even the output jack, which typically develops cracks, is in clean shape.  Appears to be all original vintage parts, which, parted out, would exceed my price for the guitar, figuring you could also get $300-$400 for the body/neck.  It's a nice playing archtop with low action and no buzz, except the 1st string 12/13th fret.  Lovely Brazilian fretboard in nice shape and frets are excellent.  Original tuners hold tune nicely.  These guitars do Delta Blues better than any electric in my opinion and this one sounds as nice as a $1500 collector's condition example.  I got it without a case so I'm offering it for $699 without case; $750 for a good quality hardshell.  For the player, this is a solid 40+ year old guitar for the price of a high end Korean archtop.   

2005 Fender '51 Nocaster Closet Classic with upgrades, (front/back), (headstock), (case/acc.).   For many, this is the best version of the Nocaster, special ordered with the modern 9.5" radius and medium-jumbo frets rather than the vintage radius and frets.  This is one killer playing Tele, made even better with a new pair of Jason Lollar Vintage T pickups - plus a 4-way switch, which includes a setting for bridge+neck combination out-of-phase.  The upgrades don't stop there.  It also includes quality Callaham (link) hardware including pre-wired Model T control plate (distressed) with 4-way and Callaham's Vintage Model T bridge assembly (distressed) with brass compensated saddles.  Original serialized bridge, saddles, control plate, pots, and wiring, are all included (shown here).  Closet Classics fall between the NOS and Relic series in terms of aging.  They're designed to have the appearance of a guitar that was bought new, in 1951 in this case, played briefly, and then put away in the closet for 50 years.  To this end, this guitar was built with little to no "player's wear'.  Unlike a Relic, there aren't worn spots in the fretboard or scratches and chips in the finish - but like a genuine vintage guitar, the hardware has oxidized and the entire body exhibits very genuine looking finish checking, as shown here.  This is a fantastic playing guitar with low action and some of the best Tele quack you'll hear this side of 1960.  At 7.2 lbs. it's a perfect weight and with the modern radius and frets, it's a joy to do tricky Tele bends.  For anyone who has played this model, be warned that this is a chunky neck, not for everybody, but it replicates the profile of the "real thing" to a T.  A new one runs $2873 but if you want a modern radius and modern frets, you're talking a special order with a very long wait and a higher price.  This is once of the nicer ones I've had, in very nice shape with immaculate frets and no player's wear.  With over $500 in upgrades, not including labor, this is a smoking deal for $2450(HOLD-Gary S).  Includes original Thermometer tweed case and parts previously described.  Note: Will ship with your choice of pickups - Lollars or Nocasters - but if you hear the Lollar's, they're the hands-down winner.  

A FEW GIFT IDEAS:  

Alesis Playmate Vocalist, (pic2), (pic3).  An excellent gift for the vocalist in your life - or anyone who just likes to have fun, karaoke style.  The ultimate tool for vocal performance, practice, and karaoke applications. The Alesis PlayMate Vocalist is a powerful virtual vocal reducer and microphone processor with a built-in CD player. In addition to reducing vocals from virtually any stereo CD, it can adjust tempo and pitch independently so you can always sing in the optimal key, adjust the tempo to change the feel of the music, and slow down complex passages for easy learning. Includes 100 high-quality reverb algorithms for matching the ambience of the music. Lets you use your entire CD library and never buy another karaoke CD again.  Features include: Reduces vocals from virtually any stereo CD; Adjust tempo and pitch independently; 100 high-quality reverb algorithms; Transpose music ±7 semitones (half-steps), and adjust pitch ±18%; Adjust tempo from 50% to 150%; XLR microphone input; 1/4" direct input (bypasses effects processing); 1/4" stereo line out; 2 - 1/4" headphone outputs; Microphone/CD balance control; Intuitive loop operation; Internal power supply. List price is $299 and sells online for $169 - but this little box of fun is yours for just $119. 

Wuhan 18" China Cymbal, for the drummer who has nearly a complete set.  Unlike a crash or ride, a china cymbal delivers a dark, explosive, trashy, Oriental sound.  Wuhan cymbals are hand-made and well respected and due to their lack of subtle tone, there's little advantage in paying a lot for one.  I defy most people to pick a $175 Turkish china over this Chinese made Wuhan.  With a list price of $75, these 18" Wuhan's sell at the super stores online for $44.99.  I've got a few of 'em, brand new and perfect, for $35.  

AKG Perception 200 Studio Condenser Mic with Shockmount and Case, (picture2).  Excellent reviews and blows away virtually everything in the under $400 list price range.   15 years ago you'd around $5K, including $800 for a quality condenser mic in putting together a quality home studio.  Now you can do it all for less than 1/2 that, starting with a quality condenser such as this AKG 200.  Has Switchable 20 dB preattenuation pad and bass cut filter.  Features:  Capsule: 1-inch Large-diaphragm true condenser; Polar Pattern: Cardioid; Frequency Range: 20 - 20,000 Hz; Sensitivity:18 mA; Preattenuation Pad: 0 dB , -20 dB; Bass-cut Filter: 12 dB/octave at 300 Hz; Maximum SPL for 0.5% THD: 135 dB / 155 dB (0 / -20 dB); Impedance: <200 ohms; Recommended Load Impedance: >1,000 ohms; Powering: 48 V phantom power; Current Consumption: < 2 mA; Output Connector: Gold-plated 3-pin XLR-type; Finish: Metallic blue.  Click here for details from AKG's site.  Lists for $349 and sells online for $179 but I have a few of them, new in the box, for $150.  "But Wait...There's More..."  Act now and I'll include a new CAD EPF-15A pop filter, a $39 retail, as a free gift (Hold one for: Mark M)

MXL 603S Pencil Condenser Mic.  Nice companion to the large diaphragm like the AKG Perception 200 above.  The 603S is a pencil condenser, more directional than a vocal mic (although it can be used for vocal applications).  These are an excellent choice for overheads, such as drum kits, and typically two are used to create a stereo field.  Click here for reviews and details from MXL's site.  Features include: Suited for recording most instruments - Excels as overhead; Wide cardioid pattern that approaches, but is slightly more tight than an omni pattern; 20mm gold-sputtered, 6-micron gold diaphragm; Satin silver finish with etched engravings; runs on 48V phantom power.  Includes mic clip, foam screen, and hardshell case.  With a list of $129.99, these are a very nice condensers for $49/each. (HOLD one for: Kirk)

Nady RSM-5, (deluxe wooden box).     Superior neoclassic studio ribbon microphone is designed for use today's digital studios, but offers the unique natural sound found on classic large ribbon mics such as the RCA 44, which is still used to make great recordings today after almost 70 years.  The RSM-5 Studio Microphone has a low-tension aluminum ribbon design for smooth, natural extended low and high ends. With fast, accurate transient response, ultra-high SPL capability, and superb realism.  The compact shape makes unobtrusive placement easy when recording instruments. Other features include: Figure-8 audio directional pickup patterns with front and rear wide, extended sweet spots (as compared to large diaphragm condenser mics); increased off-axis high frequency response on sides, with decreased high response above and below on-axis; individual recording volume control of separate sources; and machined housing with advanced internal shock mount construction for the highest structural integrity and rugged reliability.  Perfect for recording studio vocals, acoustic instruments, strings, horns, orchestras and choral groups, ambient instrument audio, and many live sound applications.   Click here for Nady's site and full spec's.  Order online for a soft carrying case or order one of these with a beautiful presentation, complete with blue velvet bag, and finely crafted wooden box. This is an exceptional value in a quality Ribbon mic at $75.  (Hold one for:  Scott)

MXL 9090 Dual-Capsule Condenser Microphone.   The MXL 9090 is like having a large diaphragm and a pencil condenser in one mic, with the front side having a warm, lush sound, and the microphone's back side simulating some of the brighter more airy sounding vintage capsule characteristics of early tube mics of the 60s - all with the flip of a switch. A bright red LED shines through the grill indicating which capsule is energized. Perfect for those needing several quality microphones but on a limited budgetFeatures two switch selectable 25mm (1") Large Capsules (one warm and one bright); Solid state preamp with balanced transformer output; Gold plated grill; Selectable pad and roll-off filter.  For more details, click here for MXL's site.  Includes hard case, mic clip, foam screen.  With a list price of $249, you'll see these online for up to $149.  I have a few of them in stock at $79.99/each and they're a good bang for the buck.  

Daisy Rock Debutante Short Scale, (front/back), (headstock), (case).   I just got in a few of these for the holidays.  If you've got a young player, not quite ready for a full scale instrument, but you want to buy a *real* guitar rather than a toy at the department store, this is an excellent choice.  The quality is equally on par with Fender's Squier series with good quality electronics and hardware and after Martin does his magic on them, they set-up with very comfortable action, which is imperative for beginners.  If a guitar is difficult to play, it's not going to get played.  At 22.5" scale length (distance from bridge to the nut), it's 2"-3" shorter than a full scale, just enough to make it easy to get around on but nothing that they're going to grow out of in a few months.  With a list price of $249, in my opinion this is an excellent buy on a "real" guitar at just $149 which includes a pro setup prior to shipping.  Comes in pink with white accents.  

2005 Fender Satin Fat Squier Strat, New, Old stock and unplayed.  Very nice Strat for the money.  Solid Mahogany body with a very cool natural finish and satin lacquer which allows the guitar to resonate better and has a broken-in feel to boot.  Pickups are very good for this price range with a Duncan-Designed humbucker and a pair of Alnico single coils.  Other features are matching headstock, chrome knobs, and no-pickguard design that looks pretty classy.  Specs are on the Squier Site here.  These are a $415 list and sell everywhere at $249-$299.  This one is new-old-stock and perfect and priced at $229 WITH  a free Fender gigbag and a nice setup.  

********************************************

Dr. Z Stingray Head, (top), (back), (tubes/warranty).  Dead mint condition; one of the first 50 made.  The Stingray is the same model as the current "Stangray", after it was re-named by Brad Paisley.  The Stingray was designed around a VOX AC30 in conjunction with Telemaster Brad Paisley, who is one of the hottest country players I've heard and has been a Dr. Z user for years.  After the success of their first partnership, the Prescription Extra Strength (PES), Dr.Z and Paisley wanted to develop an amplifier that offered an additional pallet of tones to work alongside the PES.  Using the classic setup of a quartet of EL84's biased close to true Class A at 30 watts, tipping its hat to classic British tones, but like all Dr.Z amps, has its own unique voice.  The preamp uses an EF-86, and it has a 12AX7 phase inverter. Tone shaping is accomplished with Volume, Tone, and Cut controls, giving you the ability to dial up a warm tone, but with sweet 3k range brilliance for beautiful upper treble and nice low-midrange control. The output transformer was designed by the late, great Ken Fischer (Trainwreck).  Like most Z's, not a whole lot of bells and whistles on this amp; nothing to get in the way of your guitar and pure tone coming out of the speakers, although it does have an effects loop and high/low inputs as well as a choice of output impedance.  Quality tubes including Amprex and JJ's.  For more specs, accolades, and sound clips (courtesy of Mr. Paisley), go to Dr. Z's site here.   As with any quality USA amp that's all tube and point-to-point soldered, this amp isn't cheap, but with a new one costing $1799, this one could be sold as new - not a hint of use - priced at $1499

1995/2005 Fender Fat Stratocaster w/Upgrades, (pic2), (pic3).  Great playing Strat with some tasteful upgrades.  The basics are a 2004 Fender Satin Standard Strat body with a 1995 Standard Strat neck.  These satin bodies are a very thin finish which contribute to better resonance.  We've installed a killer pickup assembly (pic4) in this one starting with a white pearl pickguard, loaded with a Seymour Duncan Invader bridge humbucker and a pair of Tex-Mex in the middle and neck - with CTS pots and switch.  Overall very nice shape although the body had a few finish chips on the edge from laying around the shop which Brian touched up so they're not terribly noticeable (pic here).  Frets are in nice shape, excellent setup, and a tone that's clearly way above a Mex Standard.  Set up to perfection, excellent tone, but priced less than a new Standard at just $375

2005 Fender Showmaster FMT HH #901, (front/back), (headstock), Killer looks - killer tone - killer price.  Showmasters have traditionally been Fender's upscale Strat, with the most radical departure being a set-neck construction.  The Showmaster FMT's most notable feature is the beautifully figured carved maple top over deep cut basswood body - but look a little closer and you'll see some high end features in these beauties, most notably, a pair of REAL Duncans, with a ‘59 (Reverse Polarity) in the neck and a Pearly Gates Plus in the bridge, wired into a 5-way for a good choice of single coil and humbucker tones.  Other high-end features (pic3) are set-neck construction, locking tuners, 2-point synchronized tremolo, Abalone inlays, raised chrome logo, smoked chrome hardware - plus 24-fret maple neck with rosewood fretboard, master volume and tone controls, and even the backplates are recessed into the body (pic4), which is definitely a quality touch.  With a list of $899 these sold online for $629 but this one is in immaculate condition and super deal on a set-neck Showmaster with Duncans at $479.   Includes Fender gigbag for free or substitute a nice Kaces tweed shown here for $65 more.

2008 Fender American Standard Telecaster - Ash, (front/back), (headstock), (case/acc.).   "As new" and unplayed condition, other than plastic film removed from pickguard.  I love these new American Tele's and this one, with a 70's vibe with black guard and ash body with crimson finish, is especially nice.  After the 7-year run of the American Series, the new American Standard, officially released on Jan 1, 2008 has some significant improvements including a redesigned bridge, new bent-steel saddles with elongated string slots, a Fender-exclusive high-tech molded case and, most significantly, a new neck and body finish, which appears to be very thin and high gloss, very close to nitro in appearance.   With a new ash body Tele selling for $1099 everywhere, this one has in-house set-up that's better than anything from the superstores, virtually unplayed, and just $839(HOLD-Greg A).  Includes the best case Fender has used since the 70's, as well as accessories, tools, and mic. paperwork.  

2008 Fender American Standard Stratocaster, (front/back), (headstock), (case/acc.).   "As new" and unplayed condition, other than plastic film removed from pickguard.  One cosmetic upgrade you might notice, is the black plastic kit (pickup covers, knobs, tip, backplate) for the black & white combo that a lot of players seem to like.  We will ship it with either the black kit, as shown, or reinstall the white parts (shown here).   After the 7-year run of the American Series, the new American Standard, officially released on Jan 1, 2008 has some significant improvements including a redesigned bridge, new bent-steel saddles with elongated string slots, a Fender-exclusive high-tech molded case and, most significantly, a new neck and body finish, which appears to be very thin and high gloss, very close to nitro in appearance.   With a new American Strat selling for $999 everywhere, this one has in-house set-up that's better than anything from the superstores, virtually unplayed, and just $750.  Includes the best case Fender has used since the 70's, as well as accessories, tools, and mic. paperwork.  Again, ships with your choice of stock white plastic - or black plastic. 

1993 Fender Telecaster Plus, (front/back), (headstock), (Case).  These are really getting hard to come by.  On the heels of a really nice Strat Plus last week comes this Tele Plus, which isn't as clean but is one great player, thanks in part to an excellent pro-refret (shown here).  This guitar is not one for the collectors which it's share of bumps and bruises (as shown here), but no cracks in the wood or other permanent disability.  One of the cool things you'll note, is the green metallic paint under the factory black finish.  I was certain that this was an original finish but a call to Fender confirmed that, yes, some of these were in fact sprayed over a green undercoat.  We can touch up each of these if desired, but to keep it at a player price, and simply because it's real character, I'm offering it as it sits.  These are excellent guitars and, for what it's worth, the model I played from 1990 to 2002.  The Tele Plus had some deluxe features as the name suggests, including locking tuners, special switching, and most notably Lace Sensor pickups with a "Dually" Red in the bridge and a blue in the neck.  Pickup selection was via the normal 3-way Tele switch plus a mini 3-way for the Dually which selected back coil, front coil, or both coils - in all 6 pickup configurations!  Prices on these shot up around 6 years ago, due largely to Jonny from Radiohead using one as his main guitar and clean examples are going for well over $1K.  If you want a killer playing Tele Plus and don't care about having a pristine example, own this "player" for just $750(HOLD-Ken 12/3).

Roland JV-1010 Synth Module w/expansion, (back).  A lot of power in a half-rackspace.  Includes 8MB Expansion Card (Orchestral II).  If you want some classic Roland sounds, plus a lot more, check this out The JV-1010 has the full sound set of the professional JV-1080 and 2080 modules. With 640 preset and 128 user patches, that's a lot of phat sounds in a skinny package. Plus, all 255 sounds from the Session wave expansion board are included. Pristine stereo grand pianos, acoustic guitars, Juno, Jupiter, TB-303, 18 rhythm sets and tons more. Also has an expansion slot for any JV80 Series board (Asian, Orchestral, Hip Hop, Techno, Bass & Drums, Vocal, Country, World, etc.). In total, with the 8 meg expansion card you get over 1,200 patches, all in a 64-voice polyphonic, 16-part multitimbral unit with dedicated Reverb, Chorus and Multi-effects. Sounds are easy to find, grouped into categories (Piano, Key/Organ, Guitar/Bass, etc.) and banks can be selected with a simple Category/Bank Select knob. The innovative Phrase Preview function plays back the selected tone in a short musical phrase. Sound editing software for Mac and PC, used in conjunction with the JV-1010's rear-panel computer serial-interface plus it's General MIDI compatibility make this an excellent sound module for use with your computer.  A lot of power and just tons of easy to access tones - for just $250.   Includes original manual and power supply.  

DigiTech RP500 Guitar Multi Effects Pedal (click to enlarge), (back), (optional case etc..).   Latest and greatest from Digitech's RP series.  More than just an extremely powerful modeler and multi-effect, the RP500 has an exclusive "pedalboard mode" which changes it into 5 individual stompboxes and effects.  My first impression is this thing is built for years of use and road abuse with metal housing and steel parts.  Features include:  Amp/Cabinet Bypass defeats internal amp and cabinet effects in all presets, 40 Tone and 40 Effects Libraries, 200 presets (100 factory, 100 user), Over 125 effects including stompboxes, choruses, delays, amps and cabinets, 5 seconds of delay time, 24-bit 44.1kHz sample rate, Heavy-duty metal switches for stompbox response, Bright LEDs display program status and effect on/off, Large 10 character LED display for preset name-bank name-tuner, Built-in chromatic Tuner, Independent XLR Left and Right Outputs with ground lift Independent 1/4" Left and Right Outputs, Amp/Mixer switch to engage speaker cabinet, Stereo 1/8" headphone output, Stereo 1/8" CD/MP3 Input, Built-in expression pedal controls the RP500’s internal wahs, volume, Whammy and other parameters, All metal construction, Cubase LE4 Music Production Software included, X-Edit Librarian Software included, 2 x 2 USB audio streaming.  For full specs and samples, click here for Digitech or click here for some YouTube demo's.  This unit sells new for $299 plus $20 for the carrying case.  This one appears to have seen zero use and is flawless - for just $225(HOLD-Josh 12/2) including the case plus power supply, manual, and software.  

2005 Fender Squier '51 w/upgrade, (front/back), (headstock), (bridge/pickup).  Just when I thought I was out of these cool guitars, I find another one.  This one has never been retailed and is perfect, although the bridge has been changed to a black aftermarket - and as with the Seafoam Green custom '51 a few weeks ago, we went with an upgraded bridge pickup, another Duncan Designed HB-103.  As I've mentioned many times, these have proven to be the best Fenders for the money that I've seen and offer an excellent combination of a classic Fender design with some cool modern refinements.  A definite vintage vibe that combines classic elements such as a Strat style body, Tele neck, and even a 1951 Precision pickguard.  With an eye toward contemporary are the unique electronics featuring a splitable humbucker in the bridge and Strat pickup in the neck, controlled by a 3-way rotary knob and push/pull volume knob to split the bridge pickup for 5 great tones in all.   These baby's are probably the best bang for the buck Fender has ever offered, winning Guitar Player mag's "Editor's Pick Award" and even a great review in Vintage Guitar Magazine - all this in a guitar that listed for only $249.  Uncommon versatility - delivers a full range of tones – from twangy bridge pickup sounds in the single-coil mode (Volume knob pulled) to fat humbucker roar (Volume knob pushed in) to crisp dual-pickup textures with the pickup knob in the middle position and the bridge pickup in single-coil mode. The neck pickup sounds great for Strat-style blues wailing, and combining it with the full bridge humbucker yields a great rhythm tone with a clanky top-end and plenty of bottom.  A very fun guitar to play, especially after we've done a great setup and installed a good quality humbucker.  For a guitar with such a cool vibe, excellent playabiltiy, and versatile tones, an good buy for $199 WITH Fender gigbag.  

*********************************

Korg M3 73-Key Music Workstation, (stock pic - click to expand),  (jump drive).  Guitarists - please tell your keyboard players.  73-keys for an extra octave of freedom over the 5-octave board.  The M3 73 is the latest and greatest from Korg and one of the great new M3 Series.  Features the hinged contro