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GUITAR EFFECTS
(Alphabetical
listings of Boutique, Misc Used, Vintage, Multi-effect/Rack appear below
following section)
SMALL LIST OF NEW EFFECTS - SEE 100'S OF USED BELOW THIS SECTION
We're selling Carl Martin now. For years I've appreciated the quality, both engineering and performance, of these fine pedals and the used ones I've had were among the hottest sellers in stock. They started with the Hot Drive'n Boost in 1993 and today they build 28 effects in all. They are built with top quality components, are quiet relative to other manufacturers, and all feature true bypass. All of their Pro Series, most of what I'll be carrying, is handmade in Demark. The more modestly priced Vintage Series, are made in the Far East but retain the tone and built quality of all Carl Martins. On my initial order I didn't go for any distortion/overdrive pedals but I'll be getting some in the future. If I don't have it in stock, let me know what you need and I can have it within 2 days. Currently in stock:
· Carl Martin
Powerjack. Universal power supply for guitar effects employs switch-mode
technology, allowing it to be used from 100V-240V. The Powerjack delivers
1670mA of stabilized 9V DC power at any voltage. Includes 5-pedal daisy chain
as well as 6 additional cables to fit other size adapter pins. Click here for full specs
and samples. List price is $52; your price is $34.99.
· Carl Martin
Octa-Switch, (layout/detail).
You can tailor it to your needs but basically you can plug in up to 8 effects
and have any combination engaged with the touch of one button. Each channel has
8 DIP switches which correspond to 8 of your effects. Simple example: You have
1-Distortion, 2-Metal Drive, 3-Fuzz, 4-Chorus, 5-Wah, 6-Pitch Shifter,
7-Reverb, and 8-Tremolo, plugged into channels 1 thru 8. For one of your tones
you want only Distortion, Chorus and Reverb. Select a bank, such as footswitch
1, and turn "on" the DIP switches for 1, 4, and 7. With this setting,
any time you hit footswitch for bank one, it will automatically engage these
three effects and all others will be out of the loop. You can set up the remaining
7 banks in similar fashion. This is a dream come true for old-schoolers who
prefer stomp boxes to LCD's and menus of a muti-effecter and instead of doing
the old "tap dance" trying to turn on/off a bunch of pedals during a
1/4 note rest, you can do it instantaneously by pushing just one button. Click here for full specs
and samples. List price is $539; your price is $317.
· Carl Martin
Delayla. The Delayla Incorporates some of the same features used in vintage
tape delay units and to achieve this, Carl Martin incorporated a second delay
tap (similar to using 2 heads simultaneously on a tape delay). TAP footswitch
turns second tap on or off. TAP knob controls the mix of main delay vs. second
tap delay. Warm, smooth sound reminiscent of the vintage tape units used in the
'50s and '60s. Perhaps the best rock 'n' roll slapback echo, and one that
digital processors are unable to emulate. Built-in AC power supply. Click here for full specs
and samples. List price is $572.
· Carl Martin
Delayla XL. Same sonic quality as the original DeLayla and adds a second
delay head for the ultimate in vintage slapback echo. The response of the
second head can be fine-tuned, is controllable by footswitch, and can be
blended with the first head. Another great feature is the tap tempo button,
which lets you set the repeats in time with the beat on the fly. Built-in AC
power supply. Click here for full
specs and samples. List price is $605; your price is $339.
· Carl Martin
Delayla TremO'vibe. Analog "two in one" effect pedal consisting
of a tremolo and a real vibrato, both with independent sets of speed and depth
controls. Many of you know the distinction: Tremolo works like a change in
volume - Vibrato works as a change in tone (pitch modulation), which on this
unit is carefully designed to imitate the sound of a real tube vibrato. Two
switches to select "on" or true bypass, while the other switches
between Tremolo and Vibrato. Each effect has it's own depth and speed controls
and different colored LED's. In addition to guitar, the TremOvibe is an
excellent choice for Bass, Keyboard, or any other electronic instrument, that
requires the sonic clarity, maximum dynamic range, incredible headroom, and
noise-free performance. Click here for full specs and
samples. List price is $457; your price is $269.
· Carl Martin
Surf Trem. The Surf Trem consists of the tremolo circuit from the
TremO'vibe. Heavy die cast box and retro styling house a killer sounding trem
pedal. An excellent pedal to add a distinct character to your tone, whether a
subtle texture with the depth turned back and the speed up, or a radical tone
shape with your guitar volume falling in and out in time with the beat. True,
these are great for surf music, but they can do much more. Click here for full specs
and samples. List price is $154; your price is $98.
· Carl Martin
Classic Chorus. The Classic Chorus is two pedals in one - the classic
analog chorus tones from yesteryear and a vibrato circuit for a completely
different character. On either setting you get round, warm tones thanks to the
absence of compander circuitry. Companding does smooth things out, which can be
a plus in some effects, but it can also cause the loss of fullness and
responsiveness you find in older effect pedals. You'll also notice a slight
loss of highs, which was actually intentional as another measure to add to the
warmth of the tone. If you're a fan of early chorus and vibe pedals, this is a
nice one. Click here
for full specs and samples. List price is $198; your price is $122.
Miscellaneous Pedals
Xotic Custom Shop BB-Preamp Comp. Another great pedal from the fine folks at Xotic with this custom shop version of their original BB-PREAMP. The original version was noted for featured warm, compressed overdrive tone but some players felt there was too much compression which prevented the pedal from "breathing". A newer version, beginning with #3643, was released with reduced amounts of compression for a more aggressive effect. Fast forward a decade or so and Xotic began building their Andy Timmons model, BB-AT. Which brings us to this Custom Shop BBP-COMP. Users of this top of the line effect can choose standard compression like the current BB-PREAMP), more compression like the Andy Timmons BB-AT, or no compression. The new BBP-COMP rolls two iconic pedals into one while taking it's sound to a new level with a no compression option. You might feel that this is the most musical and versatile distortion pedal ever made. It features true bypass and operates on AC adaptor or 9V Battery. Sells new for $176. Get this clean barely used one for $120.
Lovepedal JTM. From the genius folks at Lovepedal comes this simple but effective amp in a box. It emulates the sound of Marshall’s JTM-45 amps and features simply a Drive control. With just a single Marshall-style knob operation is obviously simple. You turn it on and the more you turn it up the more rock you'll get in your tone. The magic is in its responsiveness to subtle changes in your picking hand touch and your guitar's controls. It enables you to get a wide variety of tones without even touching the pedal's knob. For practical purposes, most players would like it in line with another overdrive or fuzz, something with a bit more tone shaping but if you're a purist this pedal alone might be what you're looking for. Sells new at Lovepedal for $225 (link) or you can get this nice used one for just $99.
(Alphabetical listings of Boutique, Misc Used, Vintage,
Multi-effect/Rack
1.
BBE Frequency Boost
Vintage Treble Boost, (pic2). True Bypass -
fresh in the box with manual and power supply! Like the Clean Boost above, this
is a very simple pedal to use but in addition to boosting your signal, it also
colors it in a way that's supposed to emulate one of the classic 60's pedals,
the Dallas Rangemaster. It adds sustain plus a fatter overdriven tone,
specifically fattening up the mid-range while tightening up the bass. Like the
Clean Boost it's built to last, with a metal case, heavy duty switch, and
non-slip rubber bottom. Other features include hardwire bypass, single op-amp
design, LED operation indicator, and an easy-access 9V battery compartment. Click
here for Harmony-Central, where this pedal scored 9.2 overall in 9 reviews.
With a $149 list price, a good value at $49.95, which is $35
less than online price.Multiples available.
2.
BBE Orange Squash
Vintage Compressor, (pic2). These were
recently replaced with the "Benchpress" Vintage Compressor but it's
still an excellent compressor. True Bypass - fresh in the box with manual and
power supply! Formerly called the "Main Squeeze" and a circuit based
on the vintage Dan Armstrong "Orange Squeezer", although with more
adjustment than the original which just had an on/off switch. It does what a
compressor is designed to do - and does it extremely well - levels-out louder
signals while boosting lower signals to provide a smooth sustain with little to
no discernable change to your original tone. Click
here and
here for Harmony-Central, where it received all "10" reviews.
With a $215 list price, the newer BBE Compressor is selling in stores for $149.99.
This model has one less knob but sounds just as good and is around 1/2 the
price at just $79.99. Multiples available.
3.
BBE Boosta Grande Clean
Boost, (pic2).
True Bypass - fresh in the box with manual and power supply! Many players are
turning to a clean boost as the best alternative to an overdrive type pedal. If
you already have the perfect amp tone and simply want to boost your signal for
leads, this is the way to go. Most OD or distortion pedals can boost your
signal, but even with the effect turned all the way down, it inherently colors
your tone. The Boosta Grande is priced less than 1/2 of most boutique boosts but
does the job just as we. It delivers up to 20dB of clean gain which is plenty
of umph to drive your preamp tubes to the max, or as a line buffer/driver to
prevent degradation from other effects in your chain. It's very solidly built,
and features a hardwire bypass, single op-amp design, LED operation indicator,
non-slip rubber bottom, and an easy-access 9V battery compartment - PLUS
includes an AC power adapter. BBE has just changed the cosmetic appearance of
this pedal, with a more "boutiquie" look, but the components are the
same. Click
here for Harmony-Central, where this pedal scored 9.5 overall in 27
reviews. These pedals are fresh out of the box and at $SOLD OUT, are priced $25
less than the new ones with cartoon graphics.
4.
Danelectro Wasabi
Distortion, (pic2). Two
pedals in one - a lead boost and a distortion pedal, each with a large on/off
switch and corresponding large LED indicator on the "tail fins" of
the pedal. Controls are Level which controls the volume going to your amp,
5-way rotary with preset EQ settings, Distortion which controls how clean/dirty
you want your sound, Tone control, and Mix which controls the blend of straight
signal with the distorted signal - which is pretty cool and can make it sound
like a clean guitar and a distorted guitar playing in unison. On the front
panel there is also a switch for "humbucker" or "single"
coil pickups as well as a boost level switch for +5 or +10dB. The Wasabi line
are full-sized pedals, built for the stage with a heavy die-cast housing that
will take a lot of abuse. There are a lot of cool tones in this pedal and
almost too much versatility, but once you find your favorite tone, you'll
probably just keep it set there 90% of the time. The boost control is a nice
feature so even if you're running with distortion on, when you need to kick
into a lead, your signal will jump 5 or 10dB - plenty to make you jump out of
the mix. Like all Dano products, a modest list price of $129 and selling in
stores for $99, but I have them new in the box for $59.
5.
Danelectro Wasabi
Overdrive, (pic2).
Same features as the Wasabi Distortion above, except engineered to emulate the
tone of an overdriven tube amp. Again, it's actually two pedals in one - a lead
boost and an overdrive pedal, each with a large on/off switch and corresponding
large LED indicator on the "tail fins" of the pedal. Controls are
Level which controls the volume going to your amp, 5-way rotary with preset EQ
settings, Overdrive which controls how clean/dirty you want your sound, Tone
control, and Mix which controls the blend of straight signal with the
overdriven signal - which is pretty cool and can make it sound like a clean
guitar and a distorted guitar playing in unison. On the front panel there is
also a switch for "humbucker" or "single" coil pickups as
well as a boost level switch for +5 or +10dB. The Wasabi line are full-sized
pedals, built for the stage with a heavy die-cast housing that will take a lot
of abuse. There are a lot of cool tones in this pedal and almost too much
versatility, but once you find your favorite tone, you'll probably just keep it
set there 90% of the time. The boost control is a nice feature so even if you're
running with Overdrive on, when you need to kick into a lead, your signal will
jump 5 or 10dB - plenty to make you jump out of the mix. Like all Dano
products, a modest list price of $129 and selling in stores for $99, but I have
them new in the box for $59.
6.
Radial Effects are in! We're
now a Radial dealer and have around a dozen pieces in stock. Usually in stock
are Classic Tonebones, Hot British Tonebones, Loopbones, and Switchbones. Made
in Canada and very high quality effects with some ingenious engineering. I'll
have a page up soon but for now you can see them all at: Tonebone Site. Retail
price on effects is $250 - $350. Email or call for current new and used
inventory.
7.
NEW Sabine NEX5300
Stereo Chorus, very high quality from the new NexFX line and perhaps the
biggest sounding stereo effect you've ever plugged in to. This is the Swirl
Master; lush swirling choruses with control for Depth, Speed, Wet/Dry Mix,
Tone, and Sabine 's unique Stereo Auto-Pan. Your head will spin as our guitar
gently whirls. It's Tabernacle Choir awesome.True Stereo with dual outputs,
Auto-pan sweeps between outputs at adjustable rate, Mix lets you balance
original and mixed signal.Extremely heavy duty construction and nicely packaged
with cloth carrying case and includes power patch cable.Lists at $149.95 and
these are great buy at 50% off, $75
8.
NEW Alesis ModFX,
fantastic!Unprecidented control and flexibility in portable effects.For
complete description and pictures, click here.
9.
NEW DOD FX86B Death
Metal, engineered specifically for Hard Rock/Metal frequencies and a cool
sounding Distortion, mint with all the stuff, new in box, $39
o
GV-2
Guv'Nor (SOLDOUT)
o
VT-1
Vibratrem
o
SV-1
Supervibe
o
ED-1
Edward Compressor
Built like tanks, Lists $135-$145 but you can get them here
for $59!!!
11.
Complete Dano
Pedalboard with 5 Effects Travel Case/Pedalboard loaded with FIVE Dano
effects, new in the box and includes hard case, power supply, daisy chain to
power pedals, connecting cords and 5 effects: Slap Echo (BLT), Tremolo (Tuna
Melt), Chorus (Milkshake), Overdrive (Pastrami), and Chromatic Tuner. Any of
you last minute Santa's looking for a cool gift - you can even individually
wrap the pedals for stocking stuffers! List price is $254 but save on the
package deal - just $149 for the complete package.
12.
New Danelectro DJ25
Chromatic Tuner Best chromatic you can get for the money,Lists at $49, Sale
$25
13.
Digitech
X-Series Pedals, (high res pic),
disassembled store display, some are perfect,some have minor finish flaws, all
guaranteed to work perfectly. These new X-Series pedals are some of the best
quality floor effects to come along in many years.Extremely solid construction,
excellent design, more versatility than just about any other series of stomp
boxes on the market.Available are:
o
Digitech X-series
DigiDelay, lists new at $144.95, selling for $75;
o
Digitech X-series DigiVerb,
lists new at $159.95, selling for $79;
o
Digitech X-series Hyper
Phase, lists new at $119.95, selling for $59;
o
Digitech X-series Turbo
Flange, lists new at $119.95, selling for $59;
o
Digitech X-series Synth
Wah, lists new at $119.95, selling for $59;
o
Digitech X-series Metal
Master, lists new at $129.95, selling for $65;
o
Digitech X-series Main
Squeeze, lists new at $119.95, selling for $59;
o
Digitech X-series Hot Rod,
lists new at $119.95, selling for $59;
o
Digitech X-series Tone
Driver, lists new at $119.95, selling for $59;
o
Digitech X-series Multi
Chorus, lists new at $134.95, selling for $65
MISC BOUTIQUE, HOT,OR COOL EFFECTS
1. AMT Pedals (site link)
o
AMT Bass EQ EQ-7B,
graphic equalizer for bass guitar. Lots of musicians playing this instrument
connect it directly to bass combo or mixer. This type of connection results in
serious deficit in sound control possibilities. The purpose of Bass Equalizer
is to compensate for this deficit. The seven equalization bands of this device
have been singled out from bass guitar sound spectrum for precise and operative
sound correction during a concert or studio recording session. If you need to
overcome the resistance of a long cable used for big stage performance, you can
use Bass Equalizer as a matching device. Sells everywhere online for $129.99
but this one's mint in the box for just $89.99.
o
AMT Astral Tube,
latest development of AMT Electronics. This is Martin Hugland's, the guitar
player of the Astral Doors from Sweden, signature pedal. So far Astral Tube is
one of toughest sounding valve distortion emulators produced by AMT. The forced
over amplification level, a denser lows, a pronounced mid-tone constituent will
make your guitar sound unbearably heavy and aggressively. Unprecedented high
distortion level of Astral Tube called for development and realization of new
circuitry solutions which made it possible to avoid noise level increase
without applying special noise reduction device. Due to this the new effect is
very useful for a guitarists playing the most complex and speedy riffs and
solos. Sells everywhere online for $189.99 but this one's mint in the box for
just $129.99.
o
AMT British Sound,
for guitarist playing TRASH style. Mellow, extremely overloaded sound with
thick lows, underemphasized middle and set-off highs, nonetheless does not lose
the pattern readability of your playing. The pedal is equipped to simulate an
overloaded amp, the OUT port has a combo emulator. Sells everywhere online for
$109.99 but this one's mint in the box for just $79.99.
o
AMT Guitar Krusher,
The Guitar Krusher (formerly guitar packer) is an analog distortion pedal with
built in combo emulation circuitry, pre-amp and built in noise gate. Designed
for live, studio and direct to mixer use. In side by side comparisons live in
stores with this pedal, people were asked to grab their favorite compressor and
go head to head with this model. There were allot of four letter words floating
around! Everyone was blown away with this pedal. Need a good compressor, buy
someone else's, need a great one, buy ours. Sells everywhere online for $129.99
but this one's mint in the box for just $89.99.
o
AMT Tweed Sound, The
AMT Tweed Sound belongs to the popular valve distortion emulator series. The
original circuitry solution of this 100% analog overdrive makes it possible for
the musician to use it for different music styles. Dense but valve-like, the
warm and transparent sound of the Tweed Sound will be useful in the studio as
well as in any live performance. The Frequency-Compensating output of this
device allows it to be connected not only to a guitar combo but also directly
to a mixer or a recorder's line input. Sells everywhere online for $109.99 but
this one's mint in the box for just $79.99.
2.
T.C. Electronic
Vintage Distortion, versatility, with a vintage twist. Go from jazzy
laid-back sounds to mega fuzz. With the boost function bypassed you'll get a
sound that makes you think of late night jazz sessions. Turn on the boost and
get the roaring thunders similar to legendary rock albums of the past. Adjust
the Tone knob for that extra edge to your sound. Noted for letting the sound of
your guitar come through regardless of how you set it. T.C. located in Denmark
has for decades built some of the finest effects on the market and I think of
them sort of as one of the first boutique pedals in that quality was never
sacrificed to meet a price point. They've always been expensive pedals but they
last forever. This one's in perfect shape, and with a list price of $275,
nicely priced at $139.
3.
Carl Martin Noise
Terminator, Lists at $190 but this one is in very clean shape for $115
4.
Effector 13
Dark Boost Overdrive/Boost, (inside).
Tim Shortnacy hand-builds Effector13 pedals at his shop in Austin TX and
they're fairly rare. Other than one Torn's Peaker pedal, this is the only one
I've had. This one was built on 3/9/04 and looking at their production stats,
there were only 10-20 of this model built in '03-'04, and a total production of
around 65, give or take, over its run of '03-'09. According to Tim, the Dark
Boost was actually a fluke while trying to design a Bass overdrive/distortion.
He said it "Made my Strat sound more like a Jazzmaster, so I figured :
What the hell... someone's bound to want something like this." Other
guitarists claim it makes their Strat or other single coil guitar, sound fatter
and darker, more like a Les Paul. Not surprisingly, it has also been positively
reviewed by bassists (link).
It's circuit board is suspended inside the pedal, covered in black tape, and
features true bypass. Here
are some reviews at Harmony-Central. I don't know what Effector 13 is doing
now, but they have a budget line of pedals out, from the Orient no doubt, but
back when this one was made they sold for $150 and, I'm sure, of significantly
higher than their new line which are distributed by Ooh La
La manufacturing. If you're looking for a transparent clean boost, this
isn't for you, but if you want something to fatten up your signal, perhaps
after running through your favorite OD/Distortion, this is a great choice. $99.
5.
Radial Tonebone
Hot British, (pic2). One
of my most popular Radial pedals on the new market - I just got in this one
"as new" and a sweeter deal. The Hot Brit is based on high-gain
amplifier designs, tailored to extract ultra-rich harmonics and full-on
saturated tube settings without the mud or noise that is typical with other
pedals. The powerful EQ settings truly allow the player to dial in to the type
of tones that create everything from chunky rhythms to sizzling lead solos. New
cost on these is $199 ($275 list) but this one is "as new" in the box
with everything for just $149.
6.
Awenda Firefox, this
is a one-off so
you'll have the only one as far as I know. How does it sound? As dirty as it
gets. With the octave switch you can get something resembling round-wave
patterns but I can only recommend to someone who's looking for the gnarliest
germanium transistor tone. A peek inside showed circuit board construction but
the pots at least aren't soldered to the circuit board and are built the old
way; built to last more than a few eyars. To me, the tone is absolutely
horrible, but with that said it's very close to many of the very expensive
Hendrix clone octave/distortions on the market. Hand-painted with very cool
looks and at $69 I think it's a steal for a one-off pedal that sounds this
cool. You can check out Awenda's site here.
7.
Carl Martin Rock
Drive, emulates the sound of a hard driven tube amp, responsive to
individual playing dynamics without altering the basic tone of the guitar.
Capable of emulating tones from a smoking Twin to a beefed up JCM 800, without
low-string mush or raspy highs. Features true bypass and runs on 9V or optional
AC adapter. Lists for $210 but this one's in super clean shape with box and
manual for just $99.
8.
Digitech Donegan
Signature Model Weapon, get the guitar tones used Dan Donegan, guitarist
for the multi-platinum band Disturbed, with his signature pedal. The Weapon
incorporates effects like sitar simulation, phaser, reverb, dynamic autowah,
Whammy-quality pitch shifting, and features both Amp and CIT compensated Mixer
outputs. Includes some cool packing with its own power supply, signature guitar
pick, and "gigbag" for the effect. This pedal could be sold as new
and includes all the original stuff. With a list of $199, these sell at USA's
biggest retailer for $149. Here's one "as new", and just $89.
9.
Fulltone Custom Shop
Full-Drive 2, in custom color Fiesta Red, numbered 205 from a limited run.
From 2003 limited run of Ferrari Yellow. Aside from its limited edition appeal,
this is perhaps the finest overdrive pedals on the market and, in fact, was
voted by GP Mag as one of the top 50 effects of all time. This is one of the
earlier models that incorporated the mini-toggle in place of the push/pull pot.
"Vintage" for old-style Fd2 mid-heavy tones that cut through the mix,
"FM" stands for "flat-mids" offering a more natural sound
but I've enhanced this mode for even more transparency, it sounds great on a
Strat's Neck Pickup; and "CompCut" feature removes the bounding from
the feedback loop allowing for Monster Clean Boost tones and some rougher OD
sounds with the OD and Boost knobs turned up. Probably not the best choice for
gigging as you're paying a lot for a color, but for the collector, a good deal
on a discontinued run pedal, in collector's condition, for $259. Includes box,
manual, sticker.
10.
Fulltone Fat Boost.
As players become more attuned to quality sound, I get more and more requests
from players for clean boosts. This is one of the best for the money. the
Fat-Boost Class A Discrete design offers up to up to 30db of Clean Boost
without any change to your EQ; makes your sound Bigger, with more
even-order harmonics. Blues players with the vintage-type tube amps will never
turn this thing off. Works great in front of Master-Volume amps to kick them up
a notch. Perfect shape and made with the best components. This is the original
model Fat Boost and sold new for $159 but this one' perfect with manual and
just $99(Tent. Hold - Andy R 12/10).
11.
Hughes &
Kettner Replex Tube-Driven Tape Delay, (pic2).
See info above. Sells new at the super stores online for $699 but this nice
clean one is just $369. Includes original power supply and manual.
12.
Lexicon PCM60 Reverb.
"As is" sale. Worked prior to shipping to me - now it powers up but
only emits a high-pitch squeal. One of the real classic units from the 80's and
the choice unit by most touring pro guitarists. You didn't see these in rack
systems of your local club band as the PCM60 cost as much as a complete budget
rack system. Although it's called a stereo unit, with dual outputs, it only has
a single input and the output is a simulated stereo. The simple user interface
is unmatched in today's market and requires little effort to dial in the right
sound. Front panel controls include input, mix, and output controls along with
a five segment input meter. A bypass button is provided to take the PCM60 out
of a mix. Two reverb types are provided: room and plate. For each type there are
four settings for size, and four settings for decay. High and low contours can
be applied to the reverb, although they are on/off rather than continuously
variable. The reverbs are lush and in addition to guitar racks or vocals, they
really work great on drums. Although not a "real" sounding reverb,
this unit has always been insanely popular by virtue of the sheer fatness of
the tone. We never had this unit checked out by a tech and shut it off as soon
as we heard the high frequency squeal so it could be an easy fix. Appears to be
all original other than power cable has been shortened to rack length. These
sell for $500-$600 in working condition but if you're handy with circuits, this
could be a real bargain at 1/2 price, just $250.
13.
Line 6 Pod Limited
Edition #1, (picture
2), mint condition-never retailed and includes manual and CD (gigbag was
sold), only 150 were distributed in the USA, forward thinkers might ponder what
has been the most influential guitar effect of this generation (answer is: The
POD). Will it be the TS-808/Mutron III of future collectors? If it is, this
very rare and mint example would be the one to hold onto. Okay, enough salesman
talk, $350
14.
Radial
Tonebone Classic, One of the best sounding tube overdrives on the market,
and as is typical with Radial, has plenty of knobs and switches to tailor it to
YOUR guitar and amp. This isn't to say it's complicated. Once you set it - you
can forget it - and perhaps just tweak the "Drive" from one song to
the next. Level control provides overall output level control to your amp. High
and low EQ knobs let you fine tune the tonal character, while the filter knob
provides a gentle roll-off for extra-bright amps. The drive knob adjusts the
input level for optimum distortion. For switches, the Top End offers Bright,
Flat, and Dark settings to shape the feel and overall tone. Mid Boost is
designed with classic amp sounds in mind, and gives you a 7dB or 12dB boost for
solos. Drive Gain sets the distortion range to low, medium, or high. It's a
very heavy duty pedal and the circuit is true-bypass. Lists at $275 and I sell
these new for $189 but this clean used one works perfectly and is $50 cheaper
at $139. Includes power supply.
15.
Moen Shaky
Jimi, Bang for the buck winner in a chorus-vibrato pedal with the signature
liquid sounding tones of Jimi, built like a tank with steel housing and metal
stomp switch, and true bypass design. With a little tweaking you can get some
pseudo rotary speaker tones and with the analog circuit, it has that vintage
tone, although much more quiet than most vintage models I've used. With a
quality built pedal like this Moen could have sold this pedal considerably
higher, but with a street price well under $100, they're probably going to make
it up in volume sales. Pretty cool pedal that should last for many years - for
$49(HOLD-Brian 7/31/13).
16.
T-Rex Room-Mate
Reverb, (pic2).
From T-Rex, Denmark, comes an amazing little stompbox which is one of the best
tube reverbs you'll hear. Features 4 modes including Classic Plate, Warm Hall,
Bright Hall, and Chorus with Warm Hall, with true stereo outputs and dials for
Mix, Level, and High Cut. Rather than do a long description, click
here for T-Rex's site, complete with sound samples. Also, here's a great
demo (link), mainly
because it's all done on clean settings, which showcase the tone of this great
little box. Especially recommended for pedal boards where space is an issue as
it's around the size of a Boss pedal, very small for a tube reverb/chorus. New
price is $369, including power supply. This one's in nice shape with original
box, power supply and manual, and $110 less than new - just $259.
17.
Visual Sound
Double Trouble V2DT, Combines the overdrive channel in Visual Sounds two
top OD's: The Jekyll & Hyde and Route 66 pedals. Over the years, Visual
Sound has had many requests to put two of these overdrives into one pedal,
allowing for two different settings and the ability to use them together. Can
be used as a simple clean boost, bass boost, or even both channels running
together at full distortion. You get the great sound and all the advantages of
V2 Series construction, plus the addition of an innovative noise reduction
system. For sound clips, click
here for Visual's site or a pretty good YouTube demo here. Straight
"10's" on 3
reviews at Harmony-Central. Built like a tank with very heavy housing and
heavy duty switches. Sells new for $169. This one's immaculate with box, CD,
manual, etc. for $50 less, just $119.
18.
Vox Cooltron CT03BT Brit
Boost, (close-up).
Two pedals in one - Treble Boost and Full Range Boost - with a real 12AU7 tube
to overdrive and true bypass switching. Housed in heavy duty brushed metal
housing, with the tube glowing through vents, it's built for the road. If
you're using an amp without sufficient input gain, this can be used to beef up
your amp's natural distortion, or if you're looking for a Vox amp tone, this
thing does a pretty good job on the treble boost setting. In the Full Range
Boost position it enhances all frequencies, adding lows, mids, and some highs
while the Treble Boost mode and is good for pushing a slightly overdriven amp
into heavy overdrive. Also good for warming up the tone of a sterile solid
state amp. Accepts 9V AC adapter but runs on 4 AA batteries for 16 hours of
operation. Click here for a demo which moves rather slowly along; just forward
to around 4:20 to hear it after he starts cranking the dials a bit. Also, Vox
has 8 audio samples around 3/5 down this page. List price is $300
and the few that are still on the web are $199. I have a few of these in stock,
new in the box, and just $129 with free shipping.
MISC VINTAGE EFFECTS
1980'S KORG MODULAR EFFECTS:
Loaded Korg PME40X
(typical group
in stock) (almost
complete line-up). The PME40X (Professional Modular Effects) was a cool
idea from Korg which ran from '84 to '85, serving as a pedalboard with power
supply, on/off switches for each effect, and master bypass - with choice of
mono or stereo outputs to accommodate those effects which are stereo. It can be
loaded with any of and allowed the user to load the central unit with any 4
effects and put them in the order that sounds best to you. They lock in place
but each can also be secured with a single screw in the bottom of the unit for
semi-permanent installation. I have multiples of most of these but rare ones
like the Octave V, Distortion Wah, an Wave Shaper, usually just one at a time.
Korg made a total of 14 effects. Buy any 4 effects and get the PME40X base unit
for free. Here's a great
link for the PME manual. Models currently in stock include:
· KGE-201
Graphic EQ $69;
· KDD-501
Stereo Digital Delay $79;
· KAD-301
Stereo Analog Delay $119;
· KCO-101
Compressor $49;
· KDW-301
Distortion Wah (very rare effect) $149;
· KOT-401
Octave V close-up
(rare effect) with built-in distortion, noise gate, and octaver (1, 1.5, or 2
Octaves down) $149(Temporarily sold out);
· KDI-101
Distortion $45;
· KFL-401
Stereo Flanger $59;
· KPH-401
Phaser $75,
· KCH-301
Analog Chorus $79;
· KDC-601 Digital Chorus
$69;
· KGE-201 Graphic EQ $59;
· KOD-101 Overdrive $65;
· KES-101 Ext
Selector fairly rare model for $95.
· I also have a plastic
case that fits the board plus 2 additional effects (don't know if it was a
stock item but it fits perfectly) with one busted latch, $15.
· For collectors, I have two
base units with original boxes - serial number on box and unit matches (pictured here)
for $50/each.
Alphabetic listing - Misc Vintage Effects:
1.
ADA PowerPlug-5,
AC-powered and provides power to five 9V effects, two slave inputs, great for
your custom-made pedalboard, $45
2.
Aria OD-10 Overdrive.
Pretty rare OD pedal, made only '83-'85. Its main feature is its dual-stage
operation. Turn off the 2-stage and the stomp pad operates like a normal pedal.
Switch the 2-stage switch to "On" and the stomp pad becomes a dual
function with a regular on/off for "Stage 1" plus a non-latching
(i.e. only works when you hold the pedal down) "Stage 2". Stage-1 is
set by the regular Drive knob while Stage-2 is set by a small, almost recessed,
Drive dial located just south of the Drive knob. This can come in handy if you
want to set up a 2nd gain stage for song passages with more overdrive than rest
of the song, such as on an extended, decaying note. This pedal uses the JRC
4559D (pic),
which is an op-amp that's not without some acclaim; Barber uses it in his Burn
Unit EQ pedal and Barber Small Fry, while Paul Cochrane uses it in his Tim
pedal. The Level control sets the amount of volume going to the output jack,
the Tone affects both stages and goes from a low mellow sound, still with some
highs, while turned fully clockwise it doesn't sound a all buzzy, just crisper.
Here are a few
reviews on Harmony-Central. Overall it's a very smooth sounding OD but with
some grit, especially if you crank the tone up. Compare this to other 80's
Japan OD's and this is definitely one of the good ones. Very nice shape, all
original, nice sounding & rare pedal for $69.
3.
Boss CS-1 Compression
Sustainer, Insanely clean. The first compact compressor from Boss, bassed
on the larger Roland AS-1. Built form '78 to '82, this is a very early model
silver-screw model. It's surprisingly quiet compared to other comp's from this
era. Has separate level and sustain knobs, plus a mini toggle switches between
normal or a treble setting that adds some high end crispness. Not the most
radical compressor made and it squishes your signal in a more subdued way.
Attack is preset at a somewhat slow rate and adds a nice, warm percussive tone
that's great for jazz, country, and classic rock tones. The Treble switch was
discontinued when they started producing the later CS-2, which was unadvised in
my opinion. It's a very useful featuring for adding color and making leads
really stand out. By use of Photocouplers instead of the later Voltage
Conrolled Amplifiers, the CS-1 is radically different from the later CS-2 and
CS-3. Collectors are paying $150 and up for the later CS-2 but here's a super
rare first issue compressor, 50X more rare than a CS-2, for $150.
4.
Crybaby Original
Thomas Organ Model, the classic 70'�'s Wah, does the "Shaft"
thing and nails the signature tone that was the 70's, player's grade in
appearance but works perfectly and sounds perfect, $139
5.
1980 Electroharmonix
Bassballs, (inside
pic), so clean you'll think it's a reissue but this one's actually 26 years
old. Advertised as the first and only envelope follower of its kind. The vocal
sound of its two sweeping filters gives bass a strong presence under leads, or
a commanding quality when out front. The resonant frequencies are engineered
solidly into the full range of the bass guitar�s strongest harmonics.
Bassballs will respond to every bass note. The sweep is widely variable, and
harmonic enrichment is available with the Fuzz engaged. Sounds equally at home
on guitar or bass and this one, in collector's condition, is just $175.
6.
1977
Electroharmonix Little Big Muff Pi EH-1009, One of the most excellent
sounding fuzz boxes from the 70's. There's nothing "little" about the
sound, it's just that it's housed in the smaller Small Stone sized box. During
this era many of these actually had the regular Big Muff circuit board but
instead of the two extra pots, they simply preset the tone and sustain
controls. These smaller EH boxes are better suited for pedalboards, where real
estate is at a premium, plus it also includes a standard 1/8" input to get
power directly from your power supply. One of the cleanest Little Muffs I've
seen - obviously has seen very little use. For a classic vintage fuzz tone,
here's a nice one for $135.
7.
1977 Electroharmonix
Memory Man Echo/Analog Delay, a classic from EH and one of the cooler
analog delays of its time. In addition to the echo/delay, this model also
features a switchable boost circuit to add some umph to your signal. It's a
pseudo stereo unit with one output being direct (no effect), with the other
output being the delayed signal. With the "Blend" control the effect
output goes from a 50/50 (clean/effect) mix to 100% effect, and wasn't designed
to put out a clean signal with the effect engaged. Very nice shape for its age
other than the white power cord, which I suspect is a replacement. Just gone
over by my tech and 100% functional. Compare to an AD9, DM2, or DM3, and this
is a bargain analog at $199.
8.
EH Bassballs, 1977,
with distortion, clean shape and extremely cool, $250
9.
EH Hog's Foot
Bass Booster, 1975, $90
10.
EH The Silencer, Noise
Eliminator, clean, one left at $65
11.
Electroharmonix
"Switchblade", 1970's, signal switcher pedal, nice shape, $45
12.
Electroharmonix Dr. Q,
1977, Envelope Follower, hard to believe you can get such a variety of cool tones
out of one knob and one switch, this thing's too cool and ridiculously clean,
VG Price Guide at $175-$200 in only excellent condition but this one's near
mint in the box for $175
13.
Electro-Harmonix Small
Stone 1976, Phase Shifter, works perfectly, $125
14.
Greco Pedal Phaser,
very cool vintage Japan-made pedal, identical to the Ibanez PT-1000 Phase Tone
(example picture) and
probably made in same factory, very lush sounding phaser with speed controlled
by rocker pedal, fast/slow ranges, very good for rotary speaker simulation like
a Rotovibe, clean shape and all original except for 9V adapter jack installed
in bottom plate, works perfectly and an excellent value in vintage Japan
effects. Can't find it but when and if I do, it's $150
15.
Ibanez PT-909 Phase
Tone, from the TS-808 era, very collectable pedal with quality tone. Great
reviews on Harmony-Central.
$125.
16.
Ibanez DPL10 Pan
Delay, (pic2),
(catalog).
One of the rare ones - and in museum condition. I've had over dozens and dozens
of Ibanez 10-Series pedals but this is the first one of this model I've had.
Can be used as your basic digital delay with 800ms delay time (same as Boss
DD-2/DD-3) but also doubles as a Pan delay with the delayed signal panning
between the left and right outputs (400ms delay in panning mode). Depending on
how you dial it in, can be used as a panning delay, echo/reverb, slapback, or
regular delay. If you check google images, you'll see these with either blue
knobs or, like this one, green knobs. The knobs and everything else is 100%
stock and in 9.9 condition with no finish chips or wear. 10-Series are very
collectable since there were over 25 pedals in the series and the prices are
well below the earlier 9-series. I would guess that very few collections have
this model and at $139 you're getting what may be the cleanest example of this
very rare pedal.
17.
Ibanez SD9 Sonic
Distortion. Early 80's Japan; preferred by many over the more poplar TS9.
It doesn't have the mid-range hump of the TS9 with more bottom and upper ends,
sort of the "smile" shape on your graphic EQ which makes it an
excellent choice for metal players. Click
here for a bunch of Harmony Central reviews where it scored very high; 9.2
sound quality and overall. Bottom plate is missing label but otherwise it's all
there, all original, and works perfectly. $99.
18.
Ibanez CP-835
Compressor, definitely player's grade but a great sounding compressor from
the same TS-808 era. Works great and priced for the working musician or
collector on a budget at $79.
19.
Ibanez FL-301, (extra casing
included), early 80's. Here's one with some personality! Works fine in the
hand-painted casing or if you're ambitious, I'm including a normal, unpainted
box and you can switch everything over. Like all of these 301's, it's a great
sounding Flanger and, hey, you gotta admit this one has some personality. $99 -
includes painted and original casing.
20.
Ibanez CPL
Compressor/Limiter, 80's "L-Series"" are quality effects in
metal cases and a great value in semi-vintage pedals, $45(HOLD-Sean O 9/14)
21.
Ibanez DS-10 Distortion
Charger, 1980's, replaced knobs but works perfectly, good tonal selection
via 2-band eq and enhance knobs, $59
22.
Ibanez GE10 EQ, one
of the 80's "10-series" which are quality effects in metal cases,
rough cosmetics but works great, $49
23.
Ibanez LM7 L.A. Metal,
no frills overdrive, warm tone, heavy and built like a tank, a few light
scratches on face but silver case is flawless so collector's condition for $55
24.
Ibanez LS10 Dual Loop
Selector, one of the most useful of the quality 80's 10-series pedals,
better than your average looper as this one does two separate loops, each with its
own gain selector with +/- 6dB, choose loop A, B, A+B, or none. This unit has
seen very little playing time and is a very nice 9 condition. A lot of players
have started collecting 10-series Ibanez as the quality is comparable to the
earlier 9-series, but they're still affordable. I believe this is the first
LS10 I've ever had and it's definitely clean enough for the collection plus
useful enough for the pro player. $79(HOLD-JD 11/3)
25.
Ibanez Phase
Tone II PT707, 1970's, the newest in my collection of four different models
of the Phase Tone, this one is the short-lived "stubby" box with dual
controls, has some paint chips but pretty nice as these go, $125
26.
Ibanez Phaser
Collection, it just occurred to me that I had a mini-collection of these,
they're all listed separately but they make a nice set and at $125/ea, a good
vintage value
27.
Ibanez SC-10 Stereo
Chorus, very clean shape, $49
28.
Ibanez SC10 Super
Stereo Chorus, (pic2).
Truly one for the collectors and NOS condition including box and manual. These
10 series are great pedals, with this 1984 SC10 coming right on the heels of
the CS9. These are excellent sounding units, comparable to the Boss CE-2 in
warmth plus a little more tweaking ability. I have ones at around 1/2 this
price but if you want the best, this is it. $129.
29.
Maxon Roto 1
Phase (click to enlarge). Very early Maxon/Ibanez phase shifter, Model 863
from ca. '76, and an excellent sounding Phaser. As far as controls, it can't
get any simpler - step on the switch to turn it on and then rotate knob until
desired sweep rate is achieved. Competition from this era was the MXR Phase 90
(Script logo), with similar looks and controls, but the Roto 1 is much more
rare and sounds at least as good, if not better. Has internal pots you can
adjust to change the tone. This is a very rare effect, so you Maxon/Ibanez
collectors might want to add it to your vintage collection. Nice deal on a very
rare and excellent sounding phaser at $165(HOLD-Steve 5/19).
30.
Morley Vintage Tuner
WITH LED's! LED readout shows what pitch you're at (i.e. reads, "440"
when your on A, "445" when you're a tad sharp, etc.), a very early
digital tuner but it's actually new old stock! with manual, $35
31.
Morley Volume Pedal,
1975, one of the classic original Tel-Ray Electronics, North Hollywood, large
chrome models, very clean shape and one of the best volumes made, works on
optical sensor so you never have a pot that wears out, very collectable and
imminently useful, $89(HOLD-Andrew UK 11/24).
32.
MXR Bass Octave,
old but works great - refinished red for some reason but, hey, who cares, its
just $59.
33.
MXR Commande Series Phaser,
80's, $65
34.
MXR Commande Series
Stereo Chorus, 80's, $45
35.
MXR Stereo Chorus,
80's Commande Series, $45
36.
MXR Sustain Mod.
163, 80's model compressor, pretty much mint in box with manual and
warranty. If you're a collector of the Commande series or just want a good
sounding straight ahead compressor, here's a nice one for $59
37.
Pearl CO-04 Compressor,
very collectable and excellent quality Japan line, very near mint. I'll call it
9.5 to be safe, definitely worthy of your collection but priced low enough to
actually use, $89
38.
Pearl Package Deal:
FG-01 Flanger, Pearl DS-06 Distortion, Pearl OD-05 Over Drive. The Pearl
Flanger is a good sounding flanger but with some tweaking of the knobs, also
does a very good chorus and even some slapback echo/delay sounds. The Pearl
DS-06 (shown here)
isn't your average distortion pedal. Using just the Level and Distortion knobs,
this pedal acts pretty much like your average DS-1 distortion but there's a lot
more to this baby. By adding in the "Spectrum" controls, a 6-mode
spectrum selector and spectrum level control, you can add in a little - or a
lot - of notch filter overdrive, similar to a wah in a fixed position. The tone
isn't totally unlike the old Boas SP-1 Spectrum in it's tone. The Pearl OD-05
offers the same sort of "wah" effect as the DS-06, except offers the
user the ability to select the frequency and the option to boost OR cut the
frequency rather than a rotary with fixed presets. The OD-05 uses a pair of JRC
4558DD chips (double-shielded 4558D), just like the famed TS808 Tubescreamer
and the tone is very much like an overdriven tube amp. Maybe it's my ears, but
to me this pedal retains much of the guitar's clean signal mixed in rather than
giving you all distortion. I like the pedal but it's probably not for
everybody. Please note that I only have one original battery cover for these
pedals. They're just slabs of metal with a screw so they're easy to make but
tape also works fine. FG-01 Flanger or DS-06 are both $65/each. The OD-05 is on
hold (Travis T 2/12).
39.
Rockman Bass Ace
Headphone Amp or Rockman Guitar Ace
Headphone Amp, sells new for $80 but I have clean used ones in stock for
$45.
40.
Rockman Soloist,
ca. 1985. Original 80's model, which was a more affordable version of the
X-100. The Soloist has the same "Boston" clean and overdrive tone as
the X-100 except it only has one clean setting (X-100 has two) and it doesn't
have echo. It does have the distortion-edge-clean settings and lush stereo
chorus that are trademark tones for the Rockman tone. Works great through your
amp, straight into the recording/live console, or as a practice amp through
headphones. It runs on 8 AA batteries or optional Rockman power supply. With a
split stereo cable (1/8" RTS to dual RCA) you can run into your recording
deck, home stereo, etc. Yes, this unit sounds great played through a home
stereo unit. You get a wide stereo field for the chorus and the overall tone is
closer to studio quality than if played through a guitar amp. All switches and
jacks work perfectly and a cheap way to get an authentic "Boston"
tone. $109 or add $40 for an original SR&D power supply (pic).
41.
Rockman X-100,
(front/back).
Back in the mid-80's the X-100 was a step up from the Soloist, with 2 clean and
2 distortion settings, analog chorus and analog echo, with 3 output level
settings. We sold these at Hotlicks for $199 and couldn't keep them in stock.
This unit is unit you want for that "Boston" sound, with killer clean
and OD tones with loads of compression, and is equally at home in the studio,
live, or headphone use. It features a belt-clip which is frequently used to
anchor the unit to an amp handle. You have to exercise some care when buying
these as many have developed glitches in the jacks and switches but this one
checks out 100% and has no issues whatsoever. Prices on original SD&R
products have really taken off but these are still a good value at $149
(several available - Hold one for Stan 7/16). Add $40 for an original SR&D
power supply (pic),
or if you want an early model without the power supply jack, $45 for an
original Rockadapter, which plugs into the battery compartment.
42.
Rockman
Soloist in Box with Headphone, (front/back),
(panel),
(headphones).
Original 80's model, which a slightly more affordable version of the X-100. The
Soloist has the same "Boston" clean and overdrive tone as the X-100
except it only has one clean setting (X-100 has two) and it doesn't have echo.
It does have the distortion-edge-clean settings and lush stereo chorus that are
trademark tones for the Rockman tone. Works great through your amp, straight
into the recording/live console, or as a practice amp through headphones. With
a split stereo cable ( 1/8" RTS to dual RCA) you can run into your
recording deck, home stereo, etc. Yes, this unit sounds great played through a
home stereo unit. You get a wide stereo field for the chorus and the overall tone
is closer to studio quality than if played through a guitar amp. It runs on 8
AA batteries or optional Rockman power supply. We sold the Soloist with power
supply for $169 back in '85 and, in fact, the original store price sticker is
still on the box. Cleaner than most of these I get in and $70 cheaper than it
sold for 25 years ago at $99 - or $159 with the optional Rockman power supply (pic).
43.
Rockman Soloist
WITH Power Supply, (panel).
Looking for the Tom Scholz "Boston" tone? Here you go. This is the
original 80's model, which was a more affordable alternative to the X-100.
We're not talking Guitar Ace, which came out a decade later, without the
technology that made the originals instant classics. The Soloist sounds much
like the X-100 except has one less tone selections and doesn't have echo. It
does have distortion-edge-clean settings and a lush stereo chorus. Works great
through your amp, straight into the recording/live console, or as a practice
amp through headphones. Runs on a bunch of AA batteries or external Rockman
power supply which was an optional accessory back in the 80's. A warning to
anyone looking for old Scholz/SR&D products, many of the X-100's and
Soloists have issues with switches and jacks, so be careful when purchasing
one. I have 3 in stock that are good for little more than spare parts. We
cleaned all switches and inputs on this one and it works perfectly. Priced at
$139 - which *includes* original SR&D power supply, which I've seen selling
for $40-$50 - or if you don't need the power supply, $109.
44.
Ross Phaser, How
many of us had one of these back in the day? The Ross Phaser was one of the
most popular of its era in the early 80's, with a sound quality on par with the
various MXR units and unlike the Phase 90, this one features an intensity
control rather than a preset level. It sounds as good today as it did 25 years
ago and is a good value in a vintage pedal at $85(Tent. Hold - Michael C 2/3).
45.
Roland SRV-2000 Digital
Reverb, classic studio reverb unit, works perfectly, midi, $150
46.
Tokai TCH-1
Analog Chorus, Excellent sounding analog - very close to the Boss CE-2 but
a little more versatile. Has stereo outputs with the "sub" out on top
of the unit providing a direct signal in the "Sep" mode, or an
effected signal in the "Rev" mode. Please don't ask what Sep/Rev
stand for. All I can say is that Rev is a normal sounding chorus, while the Sep
is a has more pitch change and is more of a Vibrato effect than chorus.
Overall, very lush sounding and very little noise. These are rare effects, made
by Tokai Gakki in Japan, and I would guess manufactured in the 80's. This one's
in pretty nice shape, other than some corroded paint on the right and front of
the unit. $99.
47.
Thomas Organ Crybaby Wah,
Vintage 70's, Mod. 95-910511, clean and works perfectly, $125
48.
Thomas Organ Crybaby,
classic vintage wah from the 70's, pot works perfectly and in nice shape, $125
49.
UniWah, another
70�s classic, cool tones and a good value in vintage wahs . Can't find it but
when and if I do, it's $75
50.
Vox King Wah, 1979, new
pot so works perfectly, a classic vintage wah in nice shape for around the
price of a reissue, $149
51.
Vox King Wah, original
70's model, Mod 95-932011, Sepulveda, CA, pretty nice cond, pot is a little
scratchy thus $99 or $135 with new pot installed
52.
White 4500 1/3 Octave EQ,
the choice rack eq for 80's metal, works great, $150
OTHER NEW/USED PEDALS (ALPHABETICAL LISTING)
1.
Boss BCB-6 Loaded
with Boss Pedals, (pedals). One
of the original road-ready pedalboards, manufactured from '84 to '89. The idea
is to eliminate the clutter of a mess of cables, eliminate the need to buy
countless batteries, safe transportation, and quick set up - just remove the
cover, plug in and you're jamming. Holds and powers six pedals, plus has a slot
that fits the Boss TU-series tuners, for 7 in all. Includes a brand new Boss
daisy chain. The daisy chain powers all the pedals and is neatly run through a
recessed channel with a sliding cover over the channel once everything's in
place. Also included are the AC adapter which feeds the PSM5 Power
Supply/Master Switch . The PSM-5 distributes power to the pedals and can also
be used to turn off all effects simultaneously. In addition to the PSM5, this
set up includes the CE-5 Chorus Ensemble, PH-2 Phaser, BF-2 Flanger, CS-3
Compression/Sustainer, and SD-1 Super Overdrive. Let me know what type of
distortion you want and I can swap out the SD-1 for a DS-1 or other
distortion/overdrive. The pedals are a mix of Japan and Taiwan, in near mint to
good condition, and all work perfectly. If purchased new, you'll get 2 or 3
Boss pedals for $299 - or you can get this entire unit consisting of 6 pedals,
daisy chain, and the BCB carrying case. All you'll need are 5 shortie cables to
connect the effects, which are available for around $10 for an 8 pack. Note: We
can swap out some of these pedals, at no additional cost or with an upcharge,
depending on the swap, but the first buyer who wants it as it sits will have
first dibs.
2.
Akai P-1 Intelliphase,
true bypass, touch sensitive, as new, $125
3.
Akai Shred-O-Matic,
tube-driven overdrive, choose between tube or solid state, or a mix, assign
pedal to output level or drive level, pretty cool unit, $199 list but this
one's mint for, $99
4.
NEW BOSS PEDALS (AW-3,
OD-3, BF-3, OC-2, PH-3, MT-2) : All are brand new in box and perfect. All
have manuals and paperwork. Chose from:
o
Dynamic
Wah AW-3 List $179/Sale $85
o
Overdrive
OD-3List $154/Sale $69
o
BF-3
Flanger -SOLD
o
OC-2
Octave List $184/Sale $99(SOLD)
o
PH-3
Phase Shifter -SOLD
o
Metal
Zone MT-2 List $161/Sale $69.
5.
Boss BCB-60 Pedal Board,
(open), (sample layout), (1-spot
power supply). Hugely updated version of the old BCB-6, which houses all of
your pedals for easy setup and transport. Unlike the old unit which only housed
Boss Compact series, the BCB-60 allows you to use different size pedals such as
the Twin pedals, wah's, and pedals from most other manufacturers. Included with
this kit is the BCB-60, 8 1/4" connecting cables with gold tips, and a new
Visual Sound 1-spot, which includes daisy chain and connectors for virtually
any type of pedal. The 1-spot includes Daisy Chain, Multi-Plug 8 Cable, (2)
Battery Clip Converters, (2) 3.5mm (1/8") Converters, and an L6 Converter
for Line 6 modeling pedals, It takes up only one spot on your power strip and
handles an impressive up to 1700mA. Read full specs here at
BossUS. New price on the BCB and a One-Spot combo pack is $184 but this used
one is in perfect shape, never modified inside, and a well built and easy to
set up unit for $129(HOLD-Brian C 9/23).
6.
Boss BCB-6 pedal
holder and PSM-5 Power Supply, includes daisy chain and 9V wall adapter.
Room for the PSM and 5 more pedals - plus slot for tuner. All latches/hinges
intact. Makes stage setup a breeze. $99.
7.
Boss AW-3 Dynamic Wah,
Guitar and Bass Wah with Humanizer. The latest and greatest from Boss, gives
guitarists a wide range of classic auto-wah and dynamic wah effects (responsive
to how hard you pick), plus a new "Humanizer" effect, which can
simulate human voce-type vowel sounds. A dedicated Bass input even provides a
variety of funky wah sounds for bass guitar. Tempo can be set for pedal control
or at fixed rate via Manual mode. List price on new is $170 but if you can live
without a box, this one's pretty much mint and just $75(HOLD-Phil 6/5).
8.
Boss OD-2 Turbo
Overdrive, mid-80's Made in Japan model in nice shape. Get two pedals in
one with this - classic smooth and natural OD associated with the OD-1 but turn
on the Turbo for bone-crunching high-gain tone. In either position it sounds
great. Velcro on bottom and missing label but at $59, a good value in a quality
Japan model.
9.
Boss BF-2 Flanger,
another nice Japan model, one small chip on top scratches on sides, but overall
nice for a used pedal. Original black label and priced at $65(HOLD-10/24).
10.
Boss MT-2 Metal Zone,
extremely popular pedal and best metal pedal Boss has ever made. With the
3-band EQ, including sweepable mid you can dial in a huge variety of tones.
Does the scooped mid tone as good as anything ever made.$55
11.
Boss MT-2 Metal Zone,
Boss' most successful metal pedal, eclipsing the long-running HM-2. Key to the
killer metal tone is two semi-parametric EQ bands, where you can select the
exact low and high frequencies and the amount of boost or cut for each. This is
a killer sounding pedal and the best ever made for the masses. Normal player's
wear but sounds perfect and just $45.
12.
Boss HM-3 Hyper Metal,
updated version of the HM-2, which for a decade was the top metal pedal on the
market. I'm not sure what the difference is, but for the scooped mids effect,
it's hard to beat this tone. Clean shape in the box, $55.
13.
Boss DS-1 Distortion,
only used a week in studio, box and manual incl, $39
14.
Boss DS-1 Distortion,
Taiwan, Boss' first distortion and longest running model in their line, mint in
box, $39
15.
Boss FV-50L Volume
Pedal, low impedance, stereo, $79 new but this one's in nice shape for $45.
16.
Boss FV-50L, low impedance
stereo volume pedal, sells for $79.99 in the stores but grab this mint one for
just $55
17.
Boss FZ-2 Hyper Fuzz,
discontinued in fact the FZ-3 has now been discontinued but this one's the best
of the lot, 3-range switch for Fuzz I/Fuzz II/Gain Boost, stacked bass/treb
cut/boost, an incredible sounding fuzz and a mystery as to why they quit making
them, not mint but clean 9 cond, $SOLD
18.
Boss GE-7B Bass EQ,
this thing ain't pretty but it works perfectly and it's less than of a new one,
$35.
19.
Boss
HM-3 Hyper Metal, mint cond in box, $49
20.
Boss MD-2 Mega
Distortion, (that's a dog hair on the pic - not a scratch), nails the
bottom-heavy distortion for new-school metal, special dual-stage distortion
circuit with an added gain boost-plus Bottom and Tone controls for crushing
distortion with massive low end, perfect shape, $49
21.
Boss MT-2 Metal Zone,
as above in very clean shape without box, $59
22.
Boss MT-2 Metal Zone,
Boss' hottest metal pedal with parametric mids for the perfect scooped-mid tone
plus versatility for any other style, perfect shape in box, $69
23.
Boss OS-2
Overdrive/Distortion, choice of Overdrive or Distortion from one pedal. Good
choice for players who do anything from 70's rock and blues to Metal. Nice
shape and just $45.
24.
Boss PH-2 Phaser, a
true classic in the Boss line, if you missed one on their long run (now discontinued),
this one is truly in collector's condition, mint with box and manual, $75
25.
Boss PH-2 Phaser,
Japan, best selling Phaser in the Boss line and dropped in favor of the PH-3,
Two modes: Mode 1 for "West Coast Rock" and Mode II for "Funky
deep phasing". I'm not sure what all that means but it's a great sounding
Phaser in beautiful 9.5 condition and at $65, nicely priced for a Japan model.x
26.
Boss PH-2 Phaser,
one of Boss' true classics and the favorite of many top players, super clean,
$65
27.
Boss PSM-5 Power Supply
& Master Switch, Japan, powers up to 5 of your Boss pedals - no more 9V
waste, includes Boss Power Supply, $65
28.
Boss
PSM-5 power supply, as new in box, with power supply, $69
29.
Boss RE-1000, full
rackmount reverb/delay unit, some settings not working properly thus, $39/as
is(HOLD-JD 11/3)
30.
Boss SD-1 Super
Overdrive, excellent boost pedal and built for decades of road use,
moderate finish flaws but works perfectly, $39
31.
Boss SYB-3 Bass
Synthesizer, turn any electric bass guitar into a dance, techno, hip-hop,
funk, or R&B machine molding a "straight" bass sound into a synth
bass monster, 11 different modes, "Hold"" feature lets you play
over the held note, gets as wacky as you want and also great for guitar, no box
or manual but mint condition and only $125
32.
Boss SYB-3 Bass Syth,
new-old-stock, world's first bass synth in a standard-sized stomp box, turns
your bass into a synth bass for hip-hop, dance, or urban funk styles, two
separate outputs let you mix a straight bass sound with synth bass, and 11
different modes give you a variety of synth-bass effects, "hold" function
sustains a synth note while you play over the top of it, T-Wah effect provides
a classic synth-wah tone. Lists at $299, sells in stores for $239 but this
one's $100 less than STORE price at $139
33.
Boss TW-1 Touch Wah,
discontinued model, plenty of paint chips, works great, $75
34.
Danelectro BLT
Slapback Echo, clean shape, $22
35.
Danelectro Chili Dog
Octaver, cost effective alternative to Boss OC-2, select one or two octaves
below root note with blend control, includes knob protector, perfect shape in
box, $22
36.
Danelectro Daddy O,
scuffed up but works perfectly, $30
37.
Danelectro Daddy-O
Overdrive, full-size Dano pedal solid metal construction, excellent vintage
overdrive tone, 3-band EQ, fans of the early Boss overdrives will LOVE this,
$29/ea
38.
Danelectro Daddy-O,
mint in box with manual, "stack in a box" and versatile unit with
everything from scooped mid's to creamy mid-boost, 3 EQ's, built for the road,
$45 or include Dano power supply for $50
39.
Danelectro Fab Tone,
mint in box w/manual, $39 or $45 with optional power supply
40.
Danelectro Pedal Holder
for mini-pedals, includes daisy chain and two cables, never used, $15.
41.
Danelectro Shift
Daddy, not the most versatile shifter but does have some very cool sounds,
stretch or bend single notes or chords, four great sounding echos as well
(slap, spring, arena, interplanetary), killer looks with 3 tail lights
indicators flamed paint job, etc., new in stores for $109 but this one's mint
for just $65
42.
Danelectro
Shiftdaddy, the new silver model, has some very cool sounds, stretch or
bend single notes or chords, four nice sounding echos as well (slap, spring,
arena, interplanetary), killer looks with 3 tail lights indicators flamed paint
job, etc., new in stores for $109 but if you can live without a box and manual,
this one's mint for just $55
43.
Digitech XP-200
Modulator, Highly regarded Digitech XP-series of modeling units with
expression pedal. The XP-200 is the Modulator model which features chorus,
flange, phase, vibrato, tremolo, auto-pan, pan, and rotary speaker. The
settings on the effects can be changed in real time via the pedal Imagine your
rotary speaker changing from slow to fast, just like a Leslie - or panning from
one amp to another via the "pan" setting. The sounds are very good,
it's easy to get around on, and with 61 factory presets and 6 user memory
locations, favorite patches can be recalled quickly and easily, without turning
a knob. This unit is in flawless cosmetic condition and works perfectly. For
all the quality tones it has, plus real time expression, a lot of pedal for
$129. Includes AC adaptor and manual downloadable here.
44.
Digitech Whammy 4 with
Midi. 6 Whammy modes including the popular 2 Octave Up heard on numerous
recordings; 10 Harmony Bend modes including 2nd Up to 3rd Up simulating pedal
steel bends; Expression pedal controls dive bombs and bends; pitch detection
engine designed specifically for guitar delivers fast accurate shifting; MIDI
In & Out/Thru to control pitch bends. For a good YouTube demo, click here. One of the
most fun pedals you'll ever play and at $199 new, this one's near immaculate
for just $129(HOLD-Mike, local 6/30).
45.
Digitech Whammy. 6
Whammy modes including the popular 2 Octave Up heard on numerous recordings; 10
Harmony Bend modes including 2nd Up to 3rd Up simulating pedal steel bends;
Expression pedal controls dive bombs and bends; pitch detection engine designed
specifically for guitar delivers fast accurate shifting; MIDI In & Out/Thru
to control pitch bends. For a good YouTube demo, click here. One of the
most fun pedals you'll ever play and a nice price, mint in the box, for $139.
46.
Digitech PDS 1650
Programmable Distortion, NEW old stock, stores 19 of your favorite settings,
just $75
47.
Digitech PDS 1700, big
double pedal, Stereo Chorus/Flanger, ex- cond, $65
48.
Digitech PDS1550
Programmable Distortion, great sounding unit and one of the best distortions
from the 80's. More control than any other pedal and actually 2-pedals-in-1
with a wide range of tonal selections via frequency/octave/cut-boost which lets
you choose fat mid-boost Rock/Country sounds to scooped mids Metal. If
there�s not enough control via the panel, there are internal pots you can
tweak to obtain your signature tone. One of my favorite semi-vintage
distortions and not expensive, $49(HOLD-Bill H 3/15)
49.
Digitech Tone Driver,
excellent overdrive pedal from the new "X-Series" of quality guitar
effects, new in box with manual/warranty, $59
50.
Digitech Turbo
Flange, stereo, one of the best and most versatile on the market. I love
the new X-series from Digitech. They do a lot more, sound great, and are built
for years of use. Features rotary control with 7 "types" of flange.
$59
51.
Digitech X-Series Pedals,
part of disassembled floor display, very high quality effects, of the ones
pictured, only the flanger and chorus remain, both priced at $49/ea
52.
DOD 260 Direct Box,
lists for $65 but this one's brand new at 50% off, $32
53.
DOD Envelope Filter,
USA, sort of an auto-wah, clean shape, very cool tones; low price, $39.
54.
DOD Flashback Fuzz,
NEW, kinda does the hendrix thing, List $89.95, Sale, $35
55.
DOD
FX-20B, Stereo Phasor, $35
56.
DOD FX20C Stereo
Phaser, Velcro on bottom but otherwise as new in box, excellent tone and
USA quality, $29
57.
DOD
FX-22 Vibro Thang, 4-knobs to create good variety, mint with box/manual/etc,
$49
58.
DOD
FX-30B Gate/Loop, as new in box, $39
59.
DOD
FX-30B, Gate/Loop, new in box w/manual, $39
60.
DOD FX40 Guitar EQ,
these are made like tanks and last forever, $45
61.
DOD FX55B Supra
Distortion, one of DOD's longest-running distortion boxes, built like a
tank and nice overdrive for $29
62.
DOD
FX-59, Thrashmaster (distortion), ex cond, $39
63.
DOD Gate/Loop,
USA, noise gate and loop built into one, clean shape, $39
64.
DOD Guitar EQ FX40,
USA built like a truck, good value for $39
65.
DOD Icebox Chorus, NEW,
great stereo chorus for low bucks, List $99.95, Sale, $39.95
66.
DOD Mystic Blues Overdrive,
looks new, $29
67.
DOD Grunge, pretty
cool pedal that's voiced for the sounds enjoyed by the kids of today. A real
winner that sounds quite rad! USA made and like all DOD's, made for decades of
trouble-free abuse. Mint with manual, $35.
68.
Dunlop GCB-100, NEW,
Bass Crybaby, new in the box with manual, $65/ea
69.
Dunlop Crybaby GCB-95,
player's grade but works fine with a good pot, $59
70.
Dunlop Crybaby 535
Wah/Boost, 3X more versatile than you normal Crybaby with a wah selector
range plus doubles as a boost pedal. Separate LED's tell you if either the way
or boost mode - or both - are engaged. Not mint but other than the bottom plate
it's pretty clean overall. $75.
71.
Dunlop Jimi Hendrix Wah
JH-1, Original Thomas Organ design. Has a fatter sound than a standard
Crybaby through a lowered frequency of the operating range. Get that Jimi
wacka-wacka for just $45.
72.
Dunlop Jimi
Hendrix Wah, "Original Thomas Design" and follows the famed 60's
model but uses modified circuitry to provide a more open (fatter) sound by
lowering the frequency of the operating range. Very clean shape, perfect pot,
and a good choice for that vintage Jimi tone. Lists at $175 but this nice one
is just $75.
73.
Dunlop Original Crybaby
GCB-95, mint condition, plastic still on the bottom with box and manual,
$55.
74.
Dunlop JH-1
Hendrix Wah, same taper and response as Jimi's pedal had. An original 60's
design with modified circuitry to provide for a more open (or fatter) sound by
lowering the frequency of the operating range. Mint condition, $69.
75.
Jim Dunlop GCB-95
Crybaby, perfect shape - perfect pot, $49.
76.
Jim Dunlop 535Q
Crybaby, Most versatile crybaby ever. Allows the player to customize and
shape the sound - By a simple turn of the "Q" dial, you can shape
your wah from a narrow, sharp wah to a broad, subtle wah. The Crybaby 535Q also
offers 6 new guitar wah ranges, a variable boost from 0 to +26 dB, and a hard
wire on/off switch. Its new custom circuitry consumes less power and eliminates
unwanted distortion. Has seen only a few hours of use and still has the plastic
on the bottom plate - but top was paint splattered with white paint. Good deal
for the player for $75.
77.
Dunlop Hendrix Wah,
clean shape with plastic still on the bottom plate. Get Jimi's signature wah
tones for just $59.
78.
Dunlop GCB-95 Crybaby,
the classic Crybaby, mint with manual, $59.
79.
Electroharmonix
Russian Small Stone Phaser, good sounding and built like a Russian tank,
rate control and depth switch, $45
80.
Electroharmonix Electric
Mistress reissue, the legendary flanger/filter matrix returns, extremely
clean $125
81.
Electroharmonix
Small Stone Phase Shifter, Mod. EH4800, this is the USA model made in NYC
and a reissue of a true classic Phaser from the 1970's. Super clean and barely
used, and with a list of $126 this used one's a good value at $65(HOLD-Todd
8/11).
82.
Fender
Chromatic Digital Tuner, ex cond in orig bag, $30
83.
Hughes & Kettner Red Box
MK II Cabinetulator, ex, $65
84.
Ibanez CS9
Stereo Chorus Reissue, mint in the box and sounds as lush as the original
80's model. Amazingly, still made in Japan. Includes box and manual. $75.
85.
Ibanez 9-series AC Adapter,
model AC-109, mint in box, great for your battery-eating AD9's and such, $19.
86.
Ibanez CM5 Classic
Metal, pretty good mini tone for a budge pedal, $25/ea
87.
Ibanez DS7 Distortion,
one of the new Tone Lok series that allows you to set and then retract knobs.
Nice shape with in box, $30
88.
Ibanez FL5 Flanger, nice
budget flanger, $29
89.
Ibanez SH7 7th Heaven,
Ibanez new 7-series distortion built for the 7-string in mind but works great
on any guitar, solid build metal construction, nice shape and nice tone,
features "pop-up" knobs and two dip switches for tons of tonal
capabilities, $79 in the stores but save some money on this clean used one for
just $45
90.
Morley On/Off Switch,
your basic amp switcher, built like a tank, perfect, $19
91.
Morley Pro Series
Wah Volume, Silent Switching, model PWV-SS, nice shape, great sounding, and
one of the most dependable units made from my experience, includes manual, $59
92.
Morley
Wah SP, spring loaded so it always comes up, mint, $49
93.
MXR Wylde
Overdrive, Zakk's own signature overdrive in mint condition with box and
stuff. Lists new at $160 but this one's perfect and un-used condition for just
$75.
94.
MXR Micro Amp,
Dunlop reissue. As with the original, the Micro Amp adds an amount of gain
which is preset using the single control. Allows you to boost your signal for
lead work or matching output when you're using several guitars such as changing
from a single coil and humbucker equipped models. Some players just like the
extra gain (and there's plenty) that this pedal produces and they leave it on
all the time. $55.
95.
Peavey 1 button
footswitch, universal jack for just about any brand, leftover new stock,
$19
96.
Qwik Tune QT-2,
automatic chromatic tuner, best specs for the bucks, $12
97.
Range Master Tuner, primitive
ambient tuner, NEW old stock, 3 avail, $25/ea
98.
Rocktron Sonic Glory,
if you need a little push over the top the Sonic Glory will make your amp's
built-in distortion scream, adds some edge to your crunch tone, provides that
much needed "bite" and "growl" that will push the edge of
the envelope, housed in rugged extruded aluminum chassis that stands up to road
wear and tear, new in the stores for $99 but this one's as new in the box for
$65
99.
Rocktek Distortion in
box, $18
100.
Rocktek
GER-01, NEW, Guitar EQ, new in box, $38
101.
Sabine Backtrak Riff
Recorder & Digital Sampler, excellent learning tool with up to 30 seconds
of sampling time, play back at 4 speeds (full, 2/3, 1/3) to make riffs or
lyrics easier to pick out, comes with box, manual, 1/8" cable and 9V power
supply, $59
102.
Sabine Zipbeat Metronome,
a good one, $15
103.
Seiko
ST-727 Guitar/Bass Tuner, lcd screen, nice budget tuner, $12
104.
Snarling Dogs Black Dog,
Tube Emulated British Distortion, switchable true bypass switch, nice unit with
box and manual, around $85 new but only $49 used(Tentative Terry H 10/29)
105.
Yamaha VP-500 Volume Pedal,
w/range control pot, mint cond, $39
106.
Zoom 505, a classic
and now offers a lot of bang for the buck, 24 different effects, easy to edit,
quality tone for just $55
107.
Zoom 506, very
powerful bass effects in a small package, $49
PREAMPS - MULTI-EFFECTS - RACKMOUNT - POWER
AMPS-PEDALBOARDS- ETC
1.
ADA MC-1 Controller (click
to enlarge), ADA MP's are definitely back. In guitar, just like fashion,
auto's, or anything else styles are cyclical and after falling out of fashion
for almost a decade, folks are once again scurrying to buy up the ADA products.
The MP-1 was sold but the MC-1, which sold for $250 back in the day, is
available for just $99. Iincludes long connecting cable.
2.
Alesis MEQ230 Dual
1/3-octave precision equalizer, (pic2). One of the most
popular EQ's ever made, especially for home studios and club bands. More bang
for the buck than any other graphic EQ ever made with two 30-band 1/3 octave
EQ's in a single rack space, yet costs less than many single-channel units.
This precise EQ is engineered with proprietary Alesis technology that gives you
more features and better audio performance than anything close to the price
range. Features both RCA and 1/4" in/outputs, signal and peak indicator as
well as "in" and "power" LED's for both channels, channel
in/out buttons, and center-detented sliders at +/- 12dB. Manual available
here for download. These cost a couple hundred back in the 90's and are the
best bargain today for a quality, good quality EQ. This one's in beautiful
shape with original power supply - for just $69.
3.
ART X-15
Ultrafoot Controller, controls midi functions of your rackmount effects.
Designed for ART units but midi allows compatibility with any other midi
device. Nice shape and includes power supply and quick start laminated manual.
$79.
4.
ART SGX 2000 Express,
upgraded version of the very popular SGX 2000 and one of the best guitar
preamps of its era. With 475 factory presets PLUS 200 storage location to
easily edit and save your favorites, you'll have an endless selection of
quality tones at the touch of a button. Famous not only for tone quality but
also for one of the most user friendly interfaces of any device of its type. In
addition to an endless array of distortions, there are an infinite selection of
other effects such as 21 digital reverbs, 12 gated reverbs, acoustic
environment simulator (very cool!), flanger, chorus, stereo digital delay plus
21 other delay types (like echo and multitap), pitch shift, tremolo, phaser,
panner, sampler and much more. Discontinued in 1999, there are still plenty of
web resources for the unit including a very active user's group (click here).
Includes original manual but you can download if you want to have a look (click
here) or for a brief overview, check out ART's
site and click on "Audio Products" - "Discontinued".
This unit retailed at $849 back in '99 and in my opinion is a steal today. When
we went to ship this unit, some of the LED's didn't light up on the power-up
test so it's sold "as is", for $199, still worth it in my opinion.
5.
ART X-15 UltraFoot Midi
Controller, features dual expression pedals, works with virtually any Midi
sound processor such as the Johnson J-Station, Line 6 POD, etc. This is a very
powerful unit and check ART's site (click
here) for full specs and features. Very powerful unit that does just about
anything you need in a floorboard for $115. Includes power supply and long midi
cable to run from the unit to your backline.
6.
Behringer
V-Amp Pro with custom cabinet and FCB-1010 Midi Foot Controller, (V-Amp in rack),
(close-up),
(back), (back panel), (FCB-1010). Note: FCB
controller was sold - the V-Amp remains. The V-Amp Pro is the 19
in. rack-mount version of the V-AMP 2 with extensive MIDI and digital
connectivity. As a brief overview, you get a great collection of 32 classic
amps, 15 famed speaker cabinets and 16 studio-quality effects: everything from
vintage combos to supercharged gain monsters. Store your own presets in the 125
memory locations or get presets developed by today's hottest players. It
includes pre-DSP send/return and post-DSP stereo inserts as well as balanced stereo
XLR DI out with ground lift. A BNC wordclock input for synchronization and a
24-bit/96 kHz digital output with AES/EBU and S/PDIF connectors. Plus, it has
Behringer's exclusive auto wah and rotary effects and DI output with Ultra-G
cabinet simulation designed by famous amp designer Juergen Rath. The V-AMP Pro
is a great tool for the studio, or works equally well as you live backline
set-up. The rotary knobs have LED's for easy recognition of your settings. The
FCB-1010 is the perfect companion piece and lets you get the most out
of the V-Amp, especially in a live setting where you don't have time to tweak
knobs for your next song. On top of its impressive MIDI functions, it gives you
two jacks for analog switching and rugged, road-proof construction. Features
include 3 new sets of 100 factory presets for more comfortable control of our
V-AMP products, guitar workstations and BASS V-AMPs, Non-Latching Relay
function - provides the added possibility of controlling external analog
equipment closing the relay switches when the Preset button is depressed, Quick
access to the Pedal Calibration mode, and an improved Tap Tempo function. Click here for
full specs on the V-Amp. The rack is custom made and very well built including
staining and lacquer finish, with an extra space available should you want to
include another effect or a one-space power amp. The V-Amp asold new for $169,
not including this very nice rack. Own the one with a great custom made rack,
for just $129, or without rack $79(HOLD-Chris R 4/15).
7.
Boss ME-20 Multi-Effect,
(close-up), (side/back). For
the player who wantsa *performance* based multi-effect, i.e. not designed
around a computer interface, the ME-20 is a great sounding unit with 17
built-in Boss effects. Manual mode or memory mode. In manual mode it's just
like having a row of Boss effects in front of you. Select your
Overdrive/Distortion, time domain effect (flange, chorus, rotary, etc.),
delay/reverb, and volume/wah. If you want to make any changes, you just spin
the knob, just like a stomp box, rather than having to go through multiple
screens to tweak a setting. Each effect has programmable parameters, just like
"knobs" on a stomp box, which can be saved to one of the user memory
spots for instant recall. In memory mode, you can instantly recall any of the
presets installed by Boss (10 banks, with 3 presets per bank = 30), or ones
you've tweaked yourself. To get to the memory mode, just press the center and
right footswitch simultaneous; to get to the tuner, press the center and left
footswitch. For full specs, click
here, for Boss. Also on this page are some great demo videos by Robert
Marcello, who is informative, and a blast to watch. This unit is simple enough
that I was able to get around just fine, but the manual is downloadable here.
Operates on 6 AA batteries or optional external power supply. This unit is
still available from some stores for $199, which is around the price of two
boss pedals. This used one is in excellent condition with original box and for
the fan of Boss effects, an incredible amount of power for $115.
8.
Boss ME-30, (pic2), rave review
in the Oct '05 Vintage Guitar magazine of all places, in the
"Gigmeister" column as I recall. Highly recommended for players who
want a full selection of Boss pedals, in a handy little floorboard
multi-effect. It's very much like having a Boss pedalboard at your feet, with
the added benefit of remembering your settings on each pedal for quick and easy
recall. You'll barely need it, but original manual is included. A great
selection of analog and vintage effects plus phase trainer, tuner, analog
distortion and a full array of digital effects; expression pedal works wah,
volume, whammy (+/- an octave); a versatile and good sounding unit that's less
than half of what they sold for new at $115. The review stated that it's worth
the price for the whammy effect alone!
9.
Boss BE-5 Guitar Multiple
Effects (click to enlarge), Five great Boss pedals built into an
easy-to-use floorboard format. Includes Chorus, Noise Suppressor, Digital
Delay, Overdrive/Distortion, and Compressor. If you run stereo, the chorus
features an impressive stereo dimensional effect while "Color"
control selects Overdrive or Distortion - or any mix in-between. Send/return
jacks allow system expansion using an external effect unit or volume pedal.
Also features tuner out and headphone jack for silent monitoring. If you
already know how to use a stomp box, you know how to use this unit...wonderful
simplicity. $99(HOLD-Greg S) includes power supply.
10.
Digitech IPS33 Intelligent
Pitch Shifter. The first "intelligent" pitch shifter, i.e. can
play in a certain key rather than earlier models which were fixed harmonies.
The IPS33 will play in the key and harmonic scale that you select, whereas
older designs were capable of only producing notes that paralleled the root
note. The effect is dramatic, especially on songs like Queen's Bohemian
Rhapsody or rock/metal dual/triple leads like the break-down in "The Boys
are Back In Town." The IPS33 plays 3-part harmony (original plus 2
harmonics). The unit has 59 different preset scales, 4 detune modes, and 16
user presets which can cover virtually any harmonic style needed. 99 patches in
all. This is a good sounding unit and a must for any rock/metal lead player,
especially in a one-guitar band. I don't have original manual but it's
downloadable and/or I can email the file to the buyer. You'll have some serious
fun and some great tones with this unit. $125.
11.
Digitech
BP200 Bass Multi-Effect, (detail-effects).
For stage, studio, or practice tool, the BP200 has just about any effect you'll
need to get the sound you want - plus a built-in drum machine for use as a
practice tool. Description: 16 bass amp and stompbox models and a host of other
effects (22 total) for creating your own signature sound. The built-in
expression pedal can be assigned to control your choice of parameters in real
time. Each effect includes up to 3 adjustable parameters giving you the
flexibility to create the exact sound you are looking for. The 6 character
alphanumeric display and 3-knob matrix based user interface provide simple,
straight forward editing functions. The Rhythm Trainer is a great tool for
polishing up your timing with your choice of different patterns, tempo, and
adjustable volume level. A chromatic tuner lets you quickly check or tune your
instrument to 1 of 4 different tuning references. Here's a brief demo that runs
through a few cool patches (link)
and here's
a bunch of Harmony-Central reviews. Sells new for $149 but this one's in
nice shape for just $79.
12.
Furman Sound PL-Tuner,
(back).
Rackmount Tuner and high quality Power Conditioner with telescoping lights to
light up your rack PLUS an excellent quality chromatic tuner with two
brightness displays. See all the specs here. Provide
safe power for your expensive rack gear, see what you're doing, and tune your
axe quickly and accurately. Sold new for $199 but this one's in clean shape and
just $99.
13.
Hughes and Kettner Red
Box MK III Cabinetulator, best D.I. made for guitar, built in cabinet
simulator, perfect shape in box, $99 used but this one's perfect for $65
14.
Johnson J-Station,
(detail -
illuminated front panel). Once upon a time, Johnson and Line 6 (POD) were
battling it out - along the lines of VHS and Betamax - each with it's own
strong spots and weak spots. In the end, Johnson lost, but I'll hold the
J-Station up to a POD any day. Largely the same selection of effects and amp
modeling, but on the J-Station I much prefer the built-in acoustic simulator
and the 12-string simulator. All the other effects are a toss-up in my opinion
- they're both very good. Bottom line: This is very nice unit that can do it
all in the studio or it also is excellent for stage use - and is very easy to
get around on. For the price of a single stop box, you can have 'em all. This
one may have sold but I usually have them in stock for $99 with power supply.
15.
Korg A5 Bass, another
90's old-school, this one for the bassist.This was my personal unit and used it
sparingly in the studio so it's not beat, usual assortment of effects made for
bass specs, easy to edit and store patches, easy real-time control and made for
the bassist who doesn't like to scroll through screens of menus.Neater than a
floorboard full of pedals, sounds just as good, and cheaper too, $75
16.
Lexicon LXP-1 and
LXP-5 with Rack, (back) (click to
enlarge pics). Note: LXP-1 is sold; LXP-5 is available. These 1/2 rack units
were a huge success when they came out in the mid-90's. Lexicon, long
associated for the best quality studio reverb was now available at a price the
consumer could afford. Both of these units are noted for their lush,
natural-sounding reverb, Lexicon's signature tone, as well as other time domain
effects such as chorus, delay, multi-tap, etc. For Harmony-Central Reviews click
here for the LXP-1, here
for the LXP-5, where they both scored an impressive 9.1 for sound quality,
but sound quality is what you expect from Lexicon. These sold or $399 back in
the late 90's when they were produced. Manuals are both downloadable here,
but I've been happy sticking with the presets and everything I need . This is
the cleanest LXP I've had in a very long time and a good deal in a studio
quality effect at $139 - include the rack for $15 more. Includes power supply.
17.
Line 6 POD XT Live,
(pic2), the
latest and greatest in the POD line with more innovations than any other
upgrade to date. I recommend you tour the POD XT Live page (click here) to get a full rundown on
this amazing unit. It's an uncomplicated, gig-ready tone machine that�s
portable and adaptable to different real world stage and recording
environments. Can be used as the ultimate multi-effects pedal in front of any
guitar amp, as a complete direct PA solution, or as the world-standard guitar
recording workhorse in the studio. Includes 80 "must have" stomp box
and studio effects models, 36 amp models, 24 cabinet models, and loads more
features. For a bunch of YouTube demo's, click
here. These sell new for $399 but this one's pretty much immaculate for
just $229. Sorry, box fans but no box with this one but it includes original
power supply and manual is on the way.
18.
Line 6 POD XT, (pic2), (stock pic). The XT
takes the good old POD 2.0 one step further with more amp models, speaker
models, and effects, plus a backlit screen to make it more user friendly. Many
home studio users have found this unit to be a simple solution to having a huge
arsenal of amps and effects, and even professional studios will, inevitably,
have one of these on hand. The XT isn't just for the studio though - one of the
best live tones I've hard was in a local club where the guitarists had no
backline setup, nothing but a small kidney bean shaped thing mounted on a mic
stand. I talked to him during their first break and found out their killer
tones were coming from nothing more than POD's, running both through the
monitors and the house system. His tone sounded just like "the CD",
with both his amp tone and effects perfectly emulating the original songs. For
full specs click here for Line 6's site
and a good manufacturer's overview view at Todou.co. This
unit's in good shape and includes original box, manual, and power supply. Even
if you've got the original POD or 2.0, the XT is such a major design change
that it's worth picking one up. Or you could opt for the XT Live but it's more
expensive and isn't a small desktop unit. This is an amazing sounding little
thing and priced around what you'll pay for a new digital delay, just $179.
Various POD units available at $135-$149 - just inquire.
19.
POD XT PRO, (back), (screen), (box/acc.). Why
pay $700 when this one's like new for $450. The latest and ultimate
processor from Line 6, equally great live or especially in the studio. Line 6's
POD revolutionized sound reproduction in 1998 with the introduction of the
original "kidney bean" POD. The Pro took it to the rack - the XT took
it to USB for PC/Mac computer recording - plus loads more of everything you
need. As a quick overview, the XT Pro features 42 Legendary and Classic Amp
Models, 24 Cab & 4 Mic models, 60 Stompbox and Studio Effects, 128 Channel
Memories, Stereo XLR and 1/4-inch analog outs, AES/EBU - S/PDIF - USB Digital
I/O, Programmable Effects Loop Routing Options, Deep Editing, Built-in
Chromatic Tuner, and Full MIDI Support. For full specs and links to video
demo's, click here for Line 6 site or
go to YouTube for dozens of video's using this unit. This unit sells new for
$700 but save $250 on this one - flawless, in original box with all
documentation and cables, for just $450(Hold - Kevin S 1/8). Note: I also have
the Bass XT Pro (pic),
also mint in the box, for $499. For anyone who doesn't need the power of the XT
model, I also have an assortment of kidney bean POD's, Pod Pro's, and Bass Pod
Pro's
20.
Line 6 Bass POD,
mint in the box.There's no reason that the guitarists should have all the
fun!The Bass Pod gives you the tones of current and classic amps like the Ampeg
SVT and B-15, the Marshall Major and Plexi Super Bass, SWR, Versatone and the
Vox AC 10, with 16 Amp Models in all, 16 Cabinet Models, plus 16 digital effect
combinations and A.I.R which simulates the interactions of mics and speaker
cabinets. Effects include distortions, phasers, flanger, envelope follower,
octave divider and crossover. 36 programmable channels are included for storage
of custom arrangements of amp/cabs/effects. Unique Dual outputs (modeled and
direct) give the Bass POD an edge in recording, allowing the studio to mix
direct bass, modeled bass, and miked bass amps. The effects can be applied or
not to the direct output.With a list price of $519, many of these sold at $399
when new. I usually have them in stock at $75 to $135, depending on condition.
21.
Rackmount
Power Controller - MBT PC-800. Perfect for lighting controller or just as a
rack power supply with easy access to turn on/off different effects. The PC-800
is an 8-Channel, 19" rack mountable power center with 15A circuit breaker,
lighted rocker on/off switches for each channel, 6' power cord, and eight
3-prong inputs in rear. Clean shape, $25.
22.
Rockman Bass Ace
Headphone Amp. With its roots in the 80's Bass Rockman the Bass Ace offers
the same convenience and versatility at around 1/3 the price. Great for
personal practicing - or equally at home routing it directly to a mixer for
recording. Features built-in compression, volume control, auxiliary stereo
input/output, and selectable treble/mid boost. Sells new for $79 but this nice
used one's just $45.
23.
Roland SRV-2000 Midi
Digital Reverb, (pic2). A staple
in virtually every pro studio in the 80's, the SRV-2000, Roland's first ever
digital reverb, still sounds great today. Whether used in a guitar rack, live
sound instruments or vocals, or in the studio, it's a very versatile reverb
that's easy to edit, and the sound is superb. Thorough analysis of actual
reverberated sounds in numerous acoustic environments, Roland to determined the
kinds of parameters necessary for a digital reverb to effectively simulate an
acoustic environment and the SRV-2000 features all such parameters which allow
it to simulate all acoustic environments of any shape, any size, and any
building material, from small rooms to big halls, churches, tunnels, etc. These
were too expensive for any regular user to afford back in '85 when it came out
but today they're a great bargain. Works and sounds perfect, other than the
"copy" button not working properly (you won't miss it), and is a
really nice unit for $175.
24.
SKB PS-25 Powered
Pedalboard and Case, (pedalboard), (close-up). Uses a
fully integrated 9-volt DC power source for up to six pedals. With simple
Velcro attachment, you can use virtually any size pedal - in any layout you
prefer. The design allows you to power up most every pedal in existence with
just a standard 9V power adapter. Set up is simple and fast - less than a
minute. Simply remove the pedalboard with pedals already attached, plug your
guitar into the top mounted patch bay (with two signal loops) and run direct
into your amp. Padded case has both briefcase type handles or back strap. In good
used condition and offered as a bargain special without power supply or cables
for $69 - or I probably have a power supply and cable kit with standard Boss
type connectors for $99.
25.
T.C. Electronics M-One,
fantastic dual-engine processor from the makers of some of the true ultimate
guitar effects. Use the M-One Engines in the Dual Send/Return setup, and get
two independent effects processors. Connect one Auxiliary to the Left Input of
the M-One, and a second to the Right input. The stereo Output of the two
Engines are now mixed internally, and can be returned to a single stereo
effects return on your mixing console, giving you two full blown stereo effects
simultaneously.For full specs check out TC's Site.The sounds
are incredible, but the price isn't.While a new one will set you back $399,
this one's in nice shape and just $250(HOLD-Michael 9/19).( Also available is T.C. Electronics G-Minor,
midi controller for the G-Major or M-One above, as new in box, $99 separately
but just $65 with the M-One)
26.
TC
Electronic G-Major 2 Guitar Multi-Effects Processor, (front),
(back),
(powered
up), (optional
G-Minor). Both G-Major and G-Minor (optional) are mint condition in the
box. Virtually brand new with but a few hours use, never racked, plastic film
still on front panel. As TCE says, "made by guitarists for
guitarists." This multi-effects processor sounds magical and is an
incredibly powerful unit, a single rack space, plus it's very affordable,
especially by TC Electronic standards. You get studio-quality sounds combined
with stompbox simplicity in a unit that's geared for demanding and diverse
performances. Not another modeling processor, but pure undiluted TC Electronic
effects in a league of their own. The G-Major 2 offers easy integration with
your current setup and pain-free on-the-fly editing - or use a MIDI interface
for more dedicated patch programming using the included PC/Mac editor. G-Major
2 processor houses all the classic TC Electronic effects that made the original
G-Major a favorite among passionate hobby musicians and pros alike. It adds a
wide range of guitar effects and features based on feedback and requests from
dedicated users of the G-Major platform. From the delays, reverbs and
modulation effects that helped define the industry and new daring sounds such
as Tri-Chorus, Through-Zero langer, modulated delays, and Univibe, everything
is done with impeccable TC Electronic quality. There are a number of good
demo's online, here's one
on YouTube. Click here
for full specs at TC's site. At $499, this unit is a deal by T.C.E. prices, but
this one's "as new" in the box with everything, and just $350.Add the
G-Minor for just $75.
27.
T. C. Electronics
M3000, (panel),
(back). As
new, immaculate condition. Some high end gear here, used in the A room of
many studios but priced within reach of the serious home recording engineer.
The M3000 offers a mammoth selection of 250 single and 50 combined presets,
including many of the favorites from TC's previous units. If that's not enough,
you can get an internal RAM bank for up to 250 single and 50 combined
user-memories, plus you can store the same number again onto a standard PCMCIA
card. New algorithms offered are the VSS Reverb and Gate, along with TC's CORE
(Coefficient Optimized Room Emulation) Reverb, Reverb 3, Delay, Pitch, EQ,
Expander, Compressor, Chorus/Flanger, Tremolo/Panner, Phase and De-Esser. Like
the M2000, the M3000 features two separate processors which you can use in
serial, parallel, dual-input, dual-mono, linked and pre-glide modes. The M3000
also features 24-bit resolution A-D and D-A converters, along with 16- and
20-bit dithering for output to devices working at these lower resolutions.
Rather than write a full page of info, for full specs go to TCE's site here. I know most
of my customers are guitarists and rest assured this is one of the finest units
you can have in your rack. Guitar great John Petrucci uses 3 of these in his
stage rig (interview).
These sell everywhere for $1599 but this one's "as new" and a more
friendly $1099. (Note: I also have a few G-Majors and the Triple-C compressor
in stock).
28.
T.C. Electronics
Triple-C, (click lower right corner of pic to enlarge), (picture 2). For the
true connoisseur of quality rack effects, this has got to be the ultimate in
compression. Multi-band compression mode of Triple C basically splits the
incoming signal into three frequency bands, allowing independent compression to
take place in each of the three user defined frequency areas. Compression is
only applied to the necessary frequency areas, providing a far more intelligent
way of working with the given source material. Using Triple C's Multi-band mode
avoids a number of traditional artifacts of compression i.e. that peaks at
certain frequencies incorrectly controlling the compression of the entire
signal. For example when compressing vocals using traditional Full-band
compression, high frequencies tend to be reduced due to the fact that vocals
generally consist of mid frequencies. So the mid frequencies will determine the
compression level of the overall signal. Using Triple C's Multi-band
compression will allow independent compression in all three bands, and consequently
preserve the high frequencies. There are too many features and benefits to
explain here - for full specs click
here for T.C.'s Site, links in the left column. Highly regarded and high
demand effect since it was recently discontinued. This one is in perfect shape
in the box with all paperwork and perhaps the ultimate compressor for just
$399.
29.
Trace Elliot GP7SM,
bass preamp, nice unit, $175
30.
Vox Tonelab, (stock pic). Not
just a powerful desktop modeling processor or just another Valvetronix product
- the Tonelab has features not found in the Valvetronix amp series, like
separate speaker cab modeling that produces an uncanny spacial sense even when
using the line out - plus MIDI I/O for transferring programs and editing and
features a S/PDIF jack for direct-to-digital interfacing. Briefly, specs
include: VOX Valve Reactor (using a 12AX7/ECC83 dual triode as a power amp
tube) circuit delivers the sound and feel of actual tube power amps, 16 amp
models ranging from vintage classics to modern "boutique" standards,
10 cabinet models add even more variety and authenticity, 22 modeled effects
with quality that rivals stand-alone units, Heavy-duty construction, Familiar
knob-based interface for ease of use, 96 programs, Headphone output, Optical
digital out (S/P DIF) for digital recording (Tonelab Only), Dedicated editor
software for even more detailed editing, MIDI I/O, Optional Valvetronix series
foot controller for even more performance possibilities, Backlit LCD with
easily viewed LED-like display. Like most of these all-in-one units, there's
too much to list here but for full specs click here for Vox's
Site. These were a $600 list when discontinued a year or so ago but this one is
"as new" with not a hint of use and ships in original box with power
supply and manual. Great sounding unit for the studio or even live sound and,
best of all, knobs...glorious knobs...for players who like to look down and do
a tweak with a twist of a knob rather than scroll to another screen. All this
for just $199(Hold ~ Ken L 2/24).
31.
Yamaha D1500
Rackmount Delay (pic2) (click
lower right to expand both pics). The rack is back and you need a good digital
delay to go in there. Years ago, these Yamaha D1500's were one of the best.
Features 1024ms of delay, 8 user-defined presets, 5-position low pass filter,
CV input for modulation, MIDI program change, XLR and 1/4" input/output
with +4db and -20db output.Back in the day this unit, along with Yamaha's
SPX-90, defined the studio and stage sound of countless artists, and the D1500
actually had better specs than the SPX. Expensive back in the day but in 2006,
this clean one's just $139.
32.
Zoom 505, as new in box,
$65
33.
Zoom 9000 with Zoom
FC01 floorboard, cool little guitar effects processor with usual assortment
of distortions, chorus, reverb, pitch shifter, flange, tuner, bypass, etc.,
easy to get around on, works on AA batteries or 9V adapter, nice sounding
presets and easy to save your own patches, footswitch has 20 ft. cord and has
led�s which are easy to see on dark stage, expensive back in the day but this
cool set-up is yours for just $99(HOLD-Richard F 11/27)
34.
Zoom GM-200 Amp Modeler,
faithfully emulates the sound of 11 legendary guitar amplifiers for recording
and live applications, Vintage chorus, tremolo, tape echo, and spring reverb
effects--all controlled by a single knob, noise reduction, gain and master
volume controls just like a regular amp, 3-band eq, Mix-in for adding external
sources, choice of RCA or 1/4" outputs for plugging into your recorder,
board, or amp, new list is $259 but you can try this one out for just $99
New Gigbags for floor multi-effects:
Roadrunner
CRZR-PB1, (pic2),
(stock).
Very heavily padded, sells for $44 online, I have a bunch for $24.99.